Dispatches From The Republican Convention September 14th, 2040
Posted by Keith Spillett in The Politics Of Catastrophe on July 19, 2011
The Republican Party seems poised to return to power after their thrilling convention concluded in San Francisco, California last night. The keynote convention address, given by Republican Presidential Candidate LeVance Nixon, brought the house to a twenty minute standing ovation. Nixon pledged that the Republican Party is committed to “freedom now, freedom tomorrow and freedom forever” in a speech that some commentators are calling the best in the party’s history. Several polls taken within minutes of Nixon’s speech showed that Nixon picked up 8 to 12 points against his opponent, Democratic Incumbent Juan Jose Herrera and now leads in 31 of the 44 states.
Nixon’s campaign theme of entirely eliminating nearly every function of government has gained steam in the past few months. His major idea of privatizing the entire United States military and offering it to other countries as a mercenary defense force has captured the imagination of many. Nixon claimed last month that the US could have the money to re-aquire the state of Oregon and allow the Social Security Age to dip below 95 for the first time since 2030 if the program is instituted. Other Nixon programs, including the elimination of public schools by 2050, a program dismissing taxation for Americans making over 250,000 dollars a year and the immediate closing of the Food and Drug Administration, have also gained popularity since Nixon announced his intention to run for the Presidency last year.
A year ago, many of his ideas seemed far-fetched, but even the most radical ones have gained an audience. Nixon’s revolutionary re-working of the welfare system, once thought to be too radical, is a hit even now with some Democrats. His program, originally decried by many for its cruelty, would force people receiving federal benefits for more than two years to exchange a kidney for continuing benefits. “The poor have senselessly and selfishly hoarded their kidneys without regard to the harm they have caused. You can sell a functional kidney for $25,000. It’s time the poor do their part to make America great again! Even the lazy can contribute to our once great nation!” Nixon told the screaming crowd of conventioneers.
The Problem of the Moths has plagued much of the Presidency of Juan Jose Herrera. Nixon looked to capitalize on this issue through a proposal to give a ten year long tax holiday to any corporation that captures more than 100 giant man eating moths per year. According to Nixon the program will “encourage the growth of the real generators of the Great American Job Engine…corporations. It will also help to stop moths from consuming the flesh of innocent, hard-working Americans.”
The energy around the Nixon campaign is a testament to the youthful, revitalized nature of the Republican Party. Many of the parties core supporters are 18 to 34 years old. They are attracted by the Parties strong anti-government message. It was a Republican Congress and President, as most remember, that legalized all drugs in 2025 and gay marriage in 2026. Since those fateful decision, the Party has attracted a slew of gung-ho, young supporters. Hundreds of young Nixon supporters, calling themselves the Nixon Youth, staged a spontaneous rally outside of the Harvey Milk Arena after his speech. “Nixon’s for freedom and freedom is for America. Government sucks! It’s that simple!” shouted Emilia Antonia, a Nixon supporter who had travelled all the way from the ruins of Boston to be a part of the special evening.
The Howling Man
Posted by Keith Spillett in The Poetry of Death on July 12, 2011
The following is an account of what took place on the evening of Sunday March 14th, 1996 in New Paltz, New York. It was the most frightening night of my life…
“AAAAAAAAAAARGGHRRHRHHHRRHAHGHHH!!!!!!!!!!!!”
I looked at the alarm clock. 3:14 AM. What on earth was that horrible noise?
BANG!!!!! BANG!!!!! BANG!!!!
Loud thumping from the front door. What on earth?!?!?
“AAAAARRRGHRGRHHRRAAAA!!!!! HELP ME!!!! AAAAAAAAARGHTHHTERGG!!”
BANG! BANG! BANG!
What could it be? I stared at cracked wood paneled ceiling above me. Eyes pinned open. Was someone banging on my door? Why would someone be banging on the door at 3:14 in the morning?
BANG!!! BANG!!! BANG!!!!!!
“HEEEEEELLLLLLLLLLLLLLLPPPPPPPPPPP!!!!!”
The bleariness of sleep quickly disappeared from my mind. Cobwebs melted away and were quickly replaced with horror. What on earth? ‘I should go downstairs’, I mumbled to myself.
BANG!!!! BANG!!!!! BANG!!!!!!! BANG!!!!!!!!!
I shot out of bed and grabbed the 36-ounce aluminum Easton bat from my closet. I threw a shirt on, took a deep breath and started to walk to the hallway that connected our living room to the front door. I lived in an apartment with two other people who were both out of town. It was just me. The hallway led to a creaky wooden door that probably couldn’t handle much more of the pounding that whatever was on the other side was inflicting on it.
“ADAARGREHEREHERHREHR!!!!! HEEEEEEEEEELLLLLLLLLLLLLLLLLLPPPPPP!!!!”
It didn’t even sound human, whatever it was. Some filthy, snarling beast on my front porch. Why? Maybe it would go away if I…..
“HHHHHHHHEEEEEEEEEEEGGGGGGGGHHHHH!!!!”
BANG! BANG!!!! BANG!!!!!!!
Pounding with two fists! Screeching! What was on the other side of the door?
“ARGGRHRRRHRHT!!!!! HHHHHHHHHHHHEEEEEEEEEEEEEEE!!!!”
BANG!!!!!
BANG!!!!!
BANG!!!!!
Only feet away from the door handle. Now, the door handle in my hand. NOW!
I flung the door open and I’ll never forget what I saw.
No shirt, covered in some red substance that was either blood or strawberry syrup, dark bruises on his body, a deranged, confused expression on his face. Only feet away from me. I knew him right away from the moment my eyes met his. It was Bill Clinton.
He began looking at the sky and howling a sick, miserable shriek.
“AAAARRRRRRGGGGGHBSHFBSHMHGGGGGGGGHHHHHHHH!!!!!!”
“Mr. President, are you alright?” I asked filled with astonishment and terror.
“I know…..I know……I know……I know…….FEAR!!!!!”
“Are you hurt?”
He stared blankly into my face. His body was no longer filled with electric, crazed energy. An empty vessel. Eyes filled with nothing as if he was listening to a song that only he could hear. He was covered in blood and chicken feathers.
“I know pain,” he whispered to me in a voice that projected complete sadness and desolation.
“I KNOW PAIN!!!! ARRRRRRRRRRRRRRRRRRRRRRRAGHRGRHRGRGGG!!!!!!!!!” he screamed.
The next thing I knew he began running away…..howling. The way his body moved was not even human. Like some combination of an eel, a toad and a man. He disappeared into the woods on the side of the house. What had just happened? The howling faded into the distance and I was left alone in the oppressive darkness.
I tried to call the police. They told me I was crazy. I told my friends. They didn’t believe me. I tried to find news reports about the whereabouts of the President on that evening. The newspapers claimed he was in France on an official visit. I knew better.
I never have figured out what happened that night. I will probably never know. For a few moments, Clinton became a vulgar, demented beast. Maybe it was who he was all along or maybe he strayed from the light for just one evening. That night he was a monstrosity.
It’s not the screaming or the banging or the look in his eyes that I remember most. I remember his howl he let out as he disappeared as if I heard it yesterday. It was the noise an animal made when it sensed its own demise. It was the repugnant terror of existential emptiness and complete alienation all pressed together in one terrible, resonant sound. In that moment, he spoke from a horrific place that I hope I do not ever see. I never looked at him the same way again.
Dispatches From The Democratic Convention September 7th, 2040
Posted by Keith Spillett in The Politics Of Catastrophe on July 4, 2011
Last night, the 2040 Democratic Convention came to a boisterous end. President Juan Jose Herrera gave a rousing speech to the conventions nearly 90,000 spectators who were crammed into Phoenix, Arizona’s newly built Cardinal Arena. Phoenix, which some have taken to calling The Capital of The New Southwest, has been a leader in the recent nanotech boom that has revitalized the American economy and brought unemployment below 15 percent for the first time since 2019. Herrera’s popularity has been on the upswing in the last year after a string of positive economic reports and an end to the nearly 10-year war in Ethiopia. “A new day has dawned in America,” announced Herrera to the galvanized crowd, “and we are on the forefront of becoming great once again!”
The convention has not been without its difficulties. Herrera, a master campaigner, led his party to victory 4 years ago by uniting a unique coalition of Hispanic Americans, Social Conservatives (SoCons) and Weather Watchers. His ability to woo SoCons by connecting traditional family values and economic equality brought a new base to the Democratic Party and allowed them to win states that had traditionally gone Republican like Georgia and Utah in the 2036 election and in the 2038 midterms. In the last Presidential election, nearly 78 percent of people who considered themselves SoCons voted for Herrera. As President, Herrera has been able to pass several SoCon initiatives including a Constitutional Amendment mandating a moment of silence or prayer at the beginning of the school day. He has been less successful with legislation banning the abortion pill and outlawing human cloning. Pundits have predicted that he will have a difficulty carrying that high a number because of the challenge in his party from breakaway SoCons like Reverend Marcus Falwell-Guzman. Falwell-Guzman, who famously quipped during the 2036 race that the only thing SoCons ever got out of the Republican Party were “prayer breakfasts and lip service”, is still considering a 3rd Party Presidential run, but insists he is firmly behind the President “for now”.
The Weather Watcher movement has also had issues with President Herrera. The movement, started as a response to the Great Northeastern Flood of 2028, is firmly committed to strong environmental protection legislation including the bill to end the use of coal by 2050 that stalled on the floor of the Senate last month. Herrera has embraced many of the Weather Watchers core issues but has not been successful passing many of their legislative priorities. Still, the No Government Regulation by 2055 pledge issued by the Republican Party last year has forced most of the remaining Independent and Republican Weather Watchers into supporting the Democrats.
Then, of course, there is the Problem of The Moths. In his speech, Herrera gave special attention to the issue stating,“The Problem of The Moths is not an easy one to solve. It will require patience and commitment. I see it not as a Problem…but as an opportunity. We can add thousands of jobs by putting together task forces and work crews to deal with our Moth problem. As your President, I will continue to call on Congress to spend whatever it takes to put an end to the Problem. Together, as a nation, We Will Stop The Moths!!!”
The Problem of the Moths, now entering its 12th year, was a major issue Herrera used to help defeat Republican President Leland Jackson in 2036, but Americans have seen little improvement. However, as of right now, voters seem to be willing to look past the issue in this election. In a recent RGE Poll, 72 percent of Americans think that The Problem of the Moths will not hurt Herrera’s re-election prospects. Still, some Americans are wary. “He’s had 4 years to fix it and it isn’t getting any better!” shouted a Republican protestor in a moth costume arrested out in front of the Convention. If the Problem doesn’t improve between now and November, the voters might just have a change of heart.
Review As Revelation: A Call To Arms
Posted by Keith Spillett in Pointless Music Reviews, Pointyheaded Highbrow Stuff, The Poetry of Death on June 27, 2011
“children guessed (but only a few and down they forgot as up they grew)”
-ee cummings
The music review has been pronounced dead in many quarters. Some say it has lost its relevance, some argue it no longer has a story worth telling. I think there is some truth to this idea. There is a formula for a standard review and it is tried and true. A few strong metaphors, a band comparison or two, a reference to earlier work and the albums place within its genre and you’ve got a review. This is not to demean much of the writing that is out there. There are some truly exceptional writers who can take the standard form and make it deeply engaging, but there are a lot of reviews out there that simply don’t make an impact on me. I don’t believe that this is the fault of the writers but rather the fact that the medium they are using has confined its creator to the narrow world of observing and reporting. I think it is fair to say the music review as pure informational medium is probably on its last legs. While I believe that its role as informer of music fans is ending, I believe that it is in the process of going in a bold, exciting new direction that can make it relevant again and even an art form of its own.
Audiences no longer want to be informed, they want to be involved. They are not just looking for information about a band; they are looking for a deeper understanding of what it is like to experience the music. Audiences want to connect to the music, not just read about it. The dramatic shift that I believe is taking place is moving the review away from being about the artist and towards about the experience the artist has created.
The star of the review is no longer the band, but the audience as voiced by the writer. The goal of the writer used to be to melt into the background and let the band be heard. Objectivity was a characteristic to be aspired towards. The idea of the writer as passive communicator no longer has a major place in the all-at-once culture of engagement that we live in. More and more, the writing I see is coming to reflect this truth. The writer, no matter how much he or she tries, is a subjective creature. This is not a liability. The experience had by the audience is, in my opinion, the single most interesting thing about music today.
Director Jean Luc-Goddard supposedly once said the only way to review a movie is to make a movie. To me, this is a near perfect description of that the type of writing that will move the review to its next level. The review itself is an act of creation. A review can exist nearly independent of the original material. It can be a story unto itself that uses its source material as a beginning step into a labyrinth of unbridled creativity. A review can mark a unique moment in time, the moment when the artist meets the audience. Inspiration transfers from musician to writer and a new world is created. This world would not exist without the musician but it has transcended the original idea and morphed into something beyond its original intent. When the writer simply describes, it short-changes the audience of the revelatory power of the music. What has the music awakened within you? What did you see? What did you find? What did it genuinely make you feel? Instead of a medium that narrows the experience, a review can be something that becomes more than what was originally intended expanding exponentially through each person it comes into contact with.
In order to achieve this the writer must shun the formula and go beyond. The review need not be constricted by anything, even words. It can be photography, painting, sculpture, and maybe even more music. It must be an original statement of experience. A confession. That is its only qualification. It may present itself in a form that may be at times incoherent, but sometimes visions are not easily explained or understood.
The label often placed upon this type of creation is self-indulgent. There is an unwritten rule that good writing must purge the self as much as possible and fit neatly the pantheon of writing that came before it. What that really means is that in order to truly create we must forget who we are. This is insane. The unedited self, allowed breaking free of the artificial covenants that chain it to the floor, is capable of bringing a new vitality to a stilted form of expression. Imagine six billion selves illuminated, simultaneously witnessed and witnessing, all expressing unique shades of humanity and learning in fullness what it is like to human from every possible angle. This is what music reviewing can be.












