Posts Tagged Lars Ulrich
“Yes, we sell out. Every seat in the house. Every time we play. Anywhere we play.”
-Jason Newsted on VH-1’s Behind The Music: Metallica
(Song begins sounding almost exactly like Unforgiven 3 in the hopes of capitalizing on earlier Metallica work and ensuring that the landscaping on Mr. Hetfield’s home in Malibu will be paid for well into the next century)
How could we know
Writing four-minute ballads-ah,
Would change our lives for-ever-ah?
Hired Bob Rock to change our course,
Sold trillions of records-ah,
Caused old metalheads
In our quest for Bentleys.
By the rage they’re feeling.
That’s…..what…you…want us….to be,
(What you want us to be)
How come if we suuuuu-ck,
We make more money this way?
Stopped playing no-name clubs,
You should see our 401-Ks!
How can we go wrong?
This is the American Way,
How can we sell out?
This is how the game play—-dah.
People like to whine,
About how things have changed,
Distracts them from their lives,
To us it just seems strange.
We do what people waaaaa-nnn-tttt,
We have become unsure,
If we’ve always been a business,
What should we be Un-forgiven Forrrrrrrrr?
(Mediocre instrumental part that ham-handedly transitions from cannibalizing The Unforgiven 3 to regurgitating the first part of Unforgiven 2)
Lay beside me,
Try not to make me grin,
Is surely not a sin.
We are rock icons,
We certainly do not care,
About your lives, about your ideas,
Just please don’t file share.
Lay Beside Me,
And I’ll tell you how things are done,
You act the part,
Hock an image,
None of this is true.
We are a consumer item
Just like Elmer’s Glue,
Well…they’ve been selling rock as revolution,
If you can understand McDonald’s,
Then you understand what we do.
Yeah, you can understand what we do-ah!
What we’ve done,
What we’ve sold,
You know the rules,
No one’s been rolled,
You hate the system,
But you participate too—ah.
Yeah…What we’ve felt,
What we’ve known,
Etched in stone.
Behind our masks,
We are amused by youuuu-ah.
Before you call,
Lars a whore,
Then peddle your skills,
To buy seats on the floor,
Remind us again why you’re so pure,
And we’re The Un-forgiven Four.
(Mildly interesting but forgettable solo section that somehow meanders into a new chorus meant to put an end to this monstrosity of a song)
You think we’re old,
But we’ll survive,
In ten years you’ll get nostaligiccc-ah
Want to see us live,
Pay 400 dollars,
To hear us play The Unforgiven Five-ah.
Unconfirmed rumors of the death of Lars Ulrich were nowhere to be found on the Internet this morning only moments before this article was published. No credible source with knowledge of Ulrich’s current whereabouts has commented on the matter or even been asked about his passing. This won’t stop many members of the mindless, bloodthirsty mob known affectionately as “the public” from believing that Lars has died.
In spite of the fact that no one has asked the band, many believe that Lars is dead due to the fact that some dude sitting in his living room typed out a bunch of words, attached some pictures and hit the publish button. The torrent of silence on this non-issue has left many to speculate that there might be some sort of cover up.
“Where there is smoke, there is often fire. Or, at least, smoke,” said Metallica fan and frequent Facebook opinion giver Steve Weremembercliff.
Several doctors who have never examined Ulrich weighed in on the controversy including Dr. Eric Liposuct, a well-known expert on esophagus transplants. He speculated, “Ulrich, like most people, has a terminal condition. It’s known as being alive. He has somewhere between 1 day and 50 years left on this earth.”
Fans of the band, hoping desperately to be the first to inform everyone of his death, will plunge headlong into a frenzy of article sharing without reading its contents. In some cases, they may read the article and repost it hoping for that amazing feeling of superiority one gets when realizing that there are many people in the world dumber and more gullible than they are. The author of the article also plans to revel in this cheap, but highly stimulating thrill.
At first, some will be saddened by his mock death. This will be followed by a flood of indignation from a public who loves both the feeling of false community experienced when they can passively observe the suffering of strangers from a safe distance with others and the feeling of righteous anger that typically follows being suckered for the 8 millionth time by some degenerate hustler trying to milk out a few more “unique visitors”.
By late in the afternoon, the whole thing will be forgotten as the mindless drudgery of everyday life reasserts itself. This will be followed by another manufactured controversy in which people everywhere experience a set of emotions that were once reserved for actual human interactions. On and On South of Heaven…
In 1988, Metallica released their seminal album “…And Justice For All”. Beyond being one of the top selling metal albums of all-time it featured the debut of their new bassist Jason Newsted. Newsted took over for the late Cliff Burton who was considered one of the finest metal bass players on the planet.
The band selected Newsted out of a pool of thousands of candidates including jazz legend Victor Wooten, Primus front man Les Claypool and Egyptian Prime Minister Hosni Mubarak. Newsted, who was never really considered much of musician, was selected for his very metal looking hair and menacing scowl. Following Cliff Burton was a challenge for a guy who only recently had learned to use both hands when playing the instrument. How would Jason replace this legendary metal figure?
Instead of running away from this daunting task, Newsted devised a strategy before the “…And Justice” sessions that would forever change metal bass playing. He simply removed the strings from the instrument. “We knew he had no idea what to do with the bass,” said noted producer Bob Rock. “He’s right-handed and would pick the thing up like he was a lefty. We were really nervous. Then, Jason showed up with the bass with no strings and Lars was like ‘Hell yeah, man!’ The rest is history.”
The invisible playing that Newsted performed on “…And Justice” is some of the most memorable non-playing in the history of the genre. Who could forget the fabulous non-bassline in Dyers’ Eve? Or the complex non-bass solo before the fade up at the beginning of Eye of The Beholder? By simply standing there pantomiming what an actual bass player would do, Jason helped create one of the most important albums in the last 30 years.
Newsted abandoned the no-string bass on later albums. This proved to be a career-destroying mistake. James and Lars called a closed door meeting with Jason and broke the news to him. “I told him ‘Jason, we simply can’t grow as a band if you continue to insist on playing actual basslines. It’s just not your strength. Maybe it’s time for you to move on.’ Besides the “little Danish friend” talk with Dave Mustaine in the movie “Some Kind of Monster”, it was the most difficult conversation I’ve ever had,” said a teary-eyed Lars Ulrich as he casually glanced at his watch.
Newsted tried to bring back the “no string” style on a solo album called “The Sound of No Noise”. He was accompanied by two no string guitarists, a drummer with no sticks and a mute vocalist. The album sold less than 300 copies. Newsted picked up studio work with several well-known bands, playing several times in the silent space between the last song on the album and the hidden track.
Today, Jason is a manager at a Herman’s Sporting Goods store in Bayonne, New Jersey. He doesn’t talk often talk about the time he spent in Metallica. Recently, he’s toyed with the concept of doing a ragtime album using a piano with no keys, but his musician days are probably behind him. He has no regrets about his life on the road with the band, but he is clear that his getting paid a lot of money for looking like he belonged in Metallica days are behind him. “There just isn’t much of a market for a bass player who doesn’t know how to play bass,” said Newsted as he calmly stacked boxes of Reebok sneakers on top of one another. “Honestly, in heavy metal, untalented, tone-deaf bass players are a dime a dozen.”
In a press conference outside his home in Valdosta, Georgia, God today admitted responsibility for committing “several crimes against humanity” including “ravaging Lou Reed’s body with disease” in order to stop Metallica from collaborating on a second album.
“Look, I know I created a world where many horrible things happen. War, famine, earthquakes, tornados, babies born without heads, I can live with all that. However, James Hetfield again declaring himself to be a piece of furniture is where I draw the line,” pronounced God moments before he ascended into the clouds for an afternoon meeting with rap legend Eazy-E.
God is no stranger to controversy. While he has been responsible for many of the greatest miracles ever to take place, he has also gained a reputation as a vengeful, jealous God and, by some estimates, has been responsible for the deaths of over 107 billion people throughout the course of human history. Some critics have gone as far as accusing God of the manufacture and use of several biological weapons including the bubonic plague, cancer and the Ebola virus.
Some of God’s critics claim his treatment of humans is excessive and even bizarre. Lot Markowitz, a traveling salesman from Gomorrah, Pennsylvania, remembers God’s behavior as being extremely erratic.
“He destroys two cities completely, kills everyone, but lets my family go, right? Then, all of a sudden, my wife turns around and she’s a pillar of salt. What sort of weird, sick creature would do that?!?!”
God also has been known to play the occasional inappropriate practical joke. He once told his faithful servant Abraham to climb up to the top of Mount Moriah and kill his beloved son Isaac. Only moments before the murder of this small child, God, hardly able to keep a straight face, stopped Abraham and boomed out “Just Kidding!!!”
In spite of his recent indiscretions, many believed God’s ending of the Cold War and introduction of additional cable television channels had signaled a “kinder, gentler God”.
However, according to several confirmed sources, God not only smote Lou Reed but also threatened to cover each member of Metallica from head to toe in boils and send a flood to destroy the city of Cleveland, Ohio if they released anything else they had written in tandem with the rock legend.
Many bloggers had speculated that God took retribution on Metallica skinsman Lars Ulrich by robbing him of his ability to play drums as punishment for his work on the first “Lulu” album. However, those charges have been brushed aside by many in the metal community who have listened to Ulrich’s drumming since “…And Justice For All” and are well aware that he was stripped of those powers back in 1988, well before the dreaded 2011 release.
Often at this website, we are accused of fabricating stories or writing “joke news” articles. While we consider this sort of attack on our jurnalizmcore integrity to be unfounded and patently absurd, we are willing to admit that there is a good deal of fake news out there parading as truth. Tyranny of Tradition’s staff of over 500 reporters, 700 editors and 3,000 fact checkers constantly strive to tell the truth, the whole truth and nothing but the truth. The same cannot be said for many of the best-known acts in heavy metal.
The truth is that many of the most memorable stories in metal history are just that, stories. Nothing more than creations of either the artist or the record label in order to drum up attention for the band. Here are a few of the most famous myths in heavy metal history unmasked once and for all.
Myth #1: Dio Invented The Heavy Metal Horns Up Hand Symbol In Praise of The Devil
For a myth to be effective, it often has to have a shred of truth in it. While it is true that Dio first used and popularized the symbol, it was not invented as the shout out to Satan that most people think. While Dio was touring with the band Elf in 1972, the band visited Canberra, Australia. While there, he was performing in front of a crowd filled with mostly deaf aborigines.
During the first song, many in the crowd realized that Dio’s fly was unzipped. The symbol in Aboriginal Sign Language for “your fly is down” is the horns hand gesture. Hundreds of people began flashing the sign to Dio, who, thinking it was a spontaneous show of enthusiasm for his music, began flashing it back. Finally, he realized why they were doing it and took care of the embarrassing situation. However, he was so impressed by the sea of horns up hand signs, he began incorporating it into his stage act. Satan had nothing to do with it.
Myth #2 Suicidal Tendencies Singer Mike Muir Is A Jehovah’s Witness
We are often astonished at how many people in our culture are members of this religious movement. From Prince to Venus and Serena Williams to Abbath, there are many recognizable cultural icons that you wouldn’t think are Jehovah’s Witnesses but are. Some, like Abbath, even still go door to door preaching The Word. Mike Muir, however, is not one.
An article appeared 3 years ago in USA Today about the religions history in which Muir was described as an active member of the faith. The reporter confused Mike Muir from Suicidal Tendencies with Mike Muir, a carpenter from San Luis Obispo, California. Don’t expect Cyco Miko to come a’knocking at your door anytime soon.
Myth #3 Dave Mustaine Was Once in Metallica
In many ways, this is truly The Great Rock’N’Roll Swindle. It started as a joke between friends Lars Ulrich and Dave Mustaine. The two concocted a pretend feud centered on a made up story about Mustaine being kicked out of Metallica. This was completely untrue. Over the years, the joke has gotten somewhat out of control with Mustaine going so far as to put a song exactly like a Metallica song on a Megadeth album (Mechanix, a direct copy of The Four Horseman) and several doctored photos and videos of Mustaine with Metallica floating around on the internet. Things really reached a ridiculous level in 2004 when Ulrich and Mustaine created the hysterical “little Danish friend” scene in the Spinal Tap sequel known as “Some Kind of Monster”.
Myth #4 Happy Days Actor Scott Baio Was The Original Drummer For Slayer
This is yet another in a series of examples of how, as Mark Twain once said, “A heavy metal lie can go halfway around the world before the truth can put on it’s combat boots”. Scott Baio, known for his work on sitcoms “Happy Days” and “Charles In Charge”, was linked to the band on several websites earlier this year including a Facebook site called “I Bet I Can Get A Million Lithuanians To Tell Kerry King To Let Scott Baio Back In Slayer.” The rumor, as strange as it sounds, wasn’t all that far from the truth. Baio is, in fact, a die-hard metal head and played drums briefly in the 80s thrash band Forbidden, but was never in Slayer.
This ridiculous, unfounded rumor was circulated around the Internet by some 3rd rate metal Onion site. Why an Onion would be made out of metal is beside the point. Typically, Mother Nature is capable of producing both metals and vegetables, but rarely has she seen fit to create a hybrid of the two. And what would be the point of such a vegetable?
Anyway, this rumor got so out of control that the Royal Family was forced to issue denials and actually barred the writer from ever visiting England. But, he was not planning on going there anyway, because he had heard that British people eat fish and chips off of newspaper. Which is disgusting.
In testimony before Congress today, National Security Agency Director General Keith Alexander testified that surveillance of nearly every single person in the United States has not only helped to thwart over 50 terrorist attacks, but has yielded the added benefit of stopping an album featuring the members of Metallica and U2 frontman Bono. While Americans are torn about surrendering civil liberties in order to prevent potential terrorist attacks, almost everybody agreed that a Metallica/Bono album had to be stopped under any circumstances.
Alexander was frank when he discussed the possible effects of another miserable Metallica album with the House Intelligence Committee. “We survived the whole Metallica/Lou Reed “Lulu” disaster, but another horrible album featuring a celebrity hipster warbling embarrassing vocals over metal riffs was something that threatened to tear this great nation apart.”
In a Gallup Poll, 98 percent of Americans agreed they would be willing to give up any of the Constitution’s protections in order to avoid a sonic atrocity on this scale. “Hell, I’ll give up freedom of speech, freedom of the press, freedom of assembly. You can search my home, take my guns, make me testify against myself. I’ll even quarter soldiers. Just for God sakes, don’t let Bono appear on a Metallica record,” said Helmholtz Watson, a professor of Heavy Metal Studies at Emory University in Atlanta, in a statement that echoed the sentiments of nearly every American.
According to Alexander, Metallica drummer Lars Ulrich contacted Bono last November in an attempt to gauge his willingness to be part of a project. The NSA had been monitoring Ulrich, who has been under investigation for trafficking in donkey thyroid glands, for the past 2 years. When NSA agents heard Ulrich utter the phrase “adult contemporary sounding metal album” they immediately went into action.
Ulrich was arrested and questioned for 12 hours the next day. While he failed to discuss the Bono/Metallica plot, he did confess that Enter Sandman sounds way too much like Excel’s Tapping Into The Emotional Void to be a coincidence. He was released, but detained and questioned again when he was spotted late that week in a Sam Goody’s in Venice Beach trying to buy a copy of U2’s 1993 album Zooropa.
Authorities say that the conspiracy never got past the planning stage and, in spite of their desire to “beat Bono like a redheaded stepchild”, the NSA believes that no actual criminal activity took place. Still, as a precaution, they are continuing to monitor the phone calls of every American who owns a Metallica or U2 album, as well as several Pakistani nationals living in Michigan, Ohio, and Florida.
New ESPN Commercial Features Metallica Drummer Lars Ulrich Eating Wilt Chamberlain’s Pituitary Gland
When Lars Ulrich paid $120,000 dollars for the rights to own former Laker great Wilt Chamberlain’s pituitary gland last month at a Los Angeles auction, experts speculated that he was losing his mind. After all, what possible use could the gland of a four-time NBA most valuable player have? People laughed as Lars overbid by almost $100,000 dollars to ensure he locked up the rights to the secretory organ. They aren’t laughing anymore.
During a soon-to-be-aired ESPN commercial, Lars began gnawing on Chamberlain’s gland while the rest of the band stood around telling standard, boring rockstar jokes. By the end of the commercial Lars had grown to the height of 8 foot 3. Only recently, height experts had estimated Ulrich to be a mere 5 foot 6. Some experts have speculated that Ulrich’s height may reach 11 foot 7 within the next month.
The consumption of the glands by metal celebrities is rare but not unheard of. Back in 2006, Slayer vocalist Tom Araya was seen chewing on the adrenal gland of famed actor Lee Marvin at a Corrosion of Conformity show. At the time, many experts in the field of adrenal gland eating believed that Lee Marvin’s organ contained a rare hormone that would allow anyone consuming it to become invisible for 12 hours. Araya, however, merely ended up with a headache and a brief, bizarre hallucination where he believed that he was former President Rutherford B. Hayes.
While consuming the glands of other humans tends to be unpopular, the inhalation of donkey glands has become a fad among many of today’s teens. Snorting donkey glands (or glarfing as many teens call it) has become the main recreational activity of a whole generation of adolescents. The effects of one “rail” of donkey gland can be feelings of unbridled euphoria, the power to control the minds of others, werewolfism and even, in some cases, vortex breath (the ability to exhale gale force winds from one’s mouth and nostrils).
In spite of the fact that they are illegal in 26 states, donkey glands are available at most corner gas stations and even some supermarkets. According to some donkey gland abuse experts, 1 out of every 3 American teens have experimented with glarfing. Police are reporting an alarming rise in the number glarfing and driving arrests. The U.S. might well be in the grips of a donkey gland snorting epidemic.
The logistical ramifications of Lars’ decision to abuse the gland of Wilt Chamberlain could be significant. After all, fitting behind a drum kit at nearly 12 feet tall might pose a serious challenge to the once diminutive Ulrich. However, the bigger concern for society at large are the effects of a role model like Ulrich sending the message that it is “cool” for young people to engage in glandular abuse.
With America facing a glarfing crisis, some experts believe the tacit celebrity endorsement of the recreational consumption of glands could lead to a situation where all forms of authority are undercut and full-scale anarchy and chaos grip the nation. The American family could be entirely annihilated. Humans might be replaced by zombie-like, gland-addicted creatures that stumble through the streets at all hours searching for their next fix.
The entire fabric of modern civilization might be destroyed. Or even worse, many of the long cherished records held by professional athletes could be shattered by hormone-gargling, mutant “superathletes”. Many experts believe that the only solution to this epidemic is a full scale War on Glands where the military is used to break up international gland cartels and high school students are subjected to twenty hours per week of gland abuse reeducation.
Adrenal Gland, D.A.R.E., donkey glands, donkeys, ESPN, Gland, Gland Abuse, Gland Cartels, Glarfing, HGH, Lars Ulrich, Lee Marvin, Los Angeles, Metallica, NBA, Pituitary gland, Radric Davis, Rutherford B. Hayes, Ryan Braun, Slayer, The War on Glands, Thyroid Gland, Tom Araya, United States, Vortex Breath, Werewolfism, Wilt Chamberlain, zombies
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