Keith Spillett
I have a lot of strange debris rattling around my mind that I need to work out in a useful way.
Homepage: https://tyrannyoftradition.wordpress.com
A Historiographical Review of Stanley Kubrick’s The Shining
Posted in Pointyheaded Highbrow Stuff on March 20, 2012
“We may be through with the past but the past ain’t through with us.” -PT Anderson
History is inescapable and never-ending. In spite of protestations from some historians, like the famous one by Francis Fukayama in 1992 that the end of the Cold War essentially meant history was “over”, we have yet to come anywhere near something that could be considered a conclusion. History, on many levels, is a trap from which we cannot extricate ourselves. Its long arm reaches through time and pushes us in directions we never believed we be capable of going. This, more than anything else, seems to be the central message of Stanley Kubrick’s 1980 horror classic “The Shining”.
While it would be easy to dismiss the film as an exquisitely told, elaborately filmed ghost story, there is a deeper meaning at the heart of the film. The story begins with Jack Torrance (Jack Nicholson) and his family undertaking the westward voyage that so many Americans have. Our history as Americans are filled with just this type of journey West in the hopes of finding fortune and freedom in a new place.
They arrive at the Overlook hotel; a resort in Colorado that shares is decorated in a Native American theme. This is not a surprise, because we learn early on that the hotel is built on a Native American burial ground. While this idea itself has become a horror cliché, it is important to note that, within the context of this film, it indicates the connection with a brutal past. One could argue that much of Western America was a burial ground for indigenous Americans who were steamrolled during the United States’ drive from seas to shining sea.
The ghosts of the past are not simply ghosts in The Shining. They are reflections of a troubling history of violence. Dick Halloran (played brilliantly by Scatman Crothers) offers us a metaphor early on that perfectly describes this. He tells Danny, Jack Torrance’s boy, that the ghosts in the film are like the smell of “burnt toast”. They may no longer be with us, but their presence is still strongly felt. Where Dick is terribly wrong is in his claim that the past cannot hurt us because it is like pictures in a book. The movie seems to argue that these “pictures” are very much alive and deeply at the root of the conflict that was raging through America in the 1960s and 70s.
In order to understand the film, it is critical to note the three separate reactions of the main characters in the film to the horrors of The Overlook. Jack gains from them a sense of belonging. He longs to be a part of the horrific history of The Overlook. He loves the violence at the core of its polished veneer. Jack is a metaphor for one view of those with power in the 60s and 70s. Disinterested in the suffering that takes place below their feet, they revel in excess while Rome burns. They are the governmental father figures that were supposed to protect the average American and instead gave us an overwhelming glut of consumer goods coupled nightmares like the Vietnam War.
Wendy (Shelly Duvall) is meant to be the symbol of most Americans. She cares deeply about her family but is blind to the actual circumstances of her life. She explains away much of the horror she’s experienced at the hands of Jack. Wendy doesn’t see the hotel for what it is until her family is shattered apart. Her awakening is meant to mimic what so many Americans feel when they look underneath the façade of the American Dream and see the massacred corpses it was built upon. Much of the interplay between the hotel, Jack and Danny go past Wendy, who is only focused on the immediate events at hand and misses the greater context of what is taking place. Her recognition of the violence around her is very much the climax of the film.
Danny (Danny Lloyd) is the next generation. He is equipped with the power to see and recognize what was there before him. He shines, or can telepathically see the images of The Overlook’s horrific past. The expression shining was actually taken from the John Lennon song “We All Shine On” by the book’s author Stephen King. The idea is that this new generation, the hippies, the yippies, the Panthers and the other groups of Americans in the late 60s and early 70s have become unwilling to play the game of forgetting the past and going about their lives. They were able to see how the past has impacted their world and they felt a desperate need to make the world see what they were witness to. Danny serves as a reminder of the violence that permeates the center of our collective fantasy. We must not be reminded of it or we might be willing to destroy it in order to save ourselves from it. Both The Overlook and Jack recognize the danger present in Danny’s vision and realize he must be controlled or even murdered.
Is this vision of America an accurate one? On some levels it is. Keep in mind this book and movie were created in the shadow of the chaos, both political and social, that were taking place in America in the 60s and 70s. The Presidency had been debased, the myth of America’s military superiority had been unmasked and the entire concept of the American Dream had been called into question. America could be seen as a madhouse on par with The Overlook. While this might be true, it is a massive oversimplification to argue that the “new” generation could be easily characterized by a visionary innocent while the leaders of the past simply lumped into the category of tyrannical, blood-thirsty madmen. There were so many shades of grey; the protest movement was far from beyond reproach and the government was not solely filled with violent, greedy sycophants. When discussing mass movements, simple narratives are rarely completely accurate
The deeper question at the heart of this film is of the role of the past in modern life. It’s simply not accurate to argue that the past is totally behind us. The world and its resources were divided up a long time ago and to accept these divisions as “the way things oughta be” does a profound disservice to those who today still suffer from decisions made lifetimes ago. Think of how the territorial distinctions made at the Berlin Conference in the 1880s have come to shape today’s Africa and you can get a glimpse of the power of the past. While much of the past is inescapable, I believe it is also something that can be understood in a way that makes some sense of the world. We owe it to ourselves and to those who are still among us to try to rationally understand the world we live in and how it got to be the way it is. This means living free of as many illusions about our history as possible. This may mean giving up some of the sense of identity that myth of a pristine past gives us. But, there is a redemptive power to truth and, while it may not save us, it can help us shine enough to at least see what is actually around us.
New Book Claims Nixon Considered Assassinating Black Sabbath Members
Posted in General Weirdness, Pointyheaded Highbrow Stuff on March 16, 2012
For years one of the great mysteries in American political history was what President Nixon said in the missing 18-½ minutes of tape that was “accidentally” erased before it was given to investigators. A new book may just answer that question.
According to Nixon’s story, his personal secretary Rosemary Woods erased the missing section of tape when she was trying to transcribe the details of the conversation for the Watergate Hearings. In a new book, “Knowing Dick: My Mother’s Time Under President Nixon”, Petey Woods, Rosemary’s eldest son, claims that she revealed to him that Nixon had detailed discussions about assassinating members of the metal band Black Sabbath on the deleted section of the tape. He also claimed that his mother was asked by the President to destroy the section because he worried about “a wave of heavy metal coming over to the U.S. from England and spreading lawless, godless communism.”
The book claims, Nixon, who has also been rumored to have encouraged the assassination and overthrow of Salvador Allende in Chile, wanted to see a similar fate for Bill Ward, Tony Iommi and Geezer Butler. Nixon was much less concerned about Ozzy, who he felt was a drag on the talents of the rest of the band. However, Nixon was concerned that “Sabbath might go ahead and get someone like that fellow Dio from the band Elf. Then, they’d all have to go or they’d be unstoppable.”
Nixon believed the CIA could be enlisted in plans to get rid of Sabbath. “After all, we used them to overthrow Mossadegh in Iran and Arbenz in Guatemala. They helped get rid of Trujillo in the Dominican Republic, Diem in Vietnam and Patrice Lumumba in the Congo. They even tried to kill Castro 8 times for god sakes. Getting rid of a bunch of angry, power-chord obsessed Brits should be no trouble whatsoever for the boys over at Langley.”
“The President was deeply concerned about the potential dangers of a style of music that loud and that intense,” says Woods in his book. Apparently, most of the 18-½ minutes is an anti-metal rant that featured the President raving about the future of metal. “Eventually they’ll be bands that play a style called speed or thrash metal. They’ll have names like Slayer and Demolition Hammer and they will corrupt the young. I can envision a world where kids run into each other in a dance they like to call “moshing”. They’ll be encouraged to kick their friend in the head and have a ball. Is this the type of America you want, Haldeman?”
One of the most shocking revelations about the tapes is Nixon’s Nostradamus-like ability to accurately predict the path of heavy metal. At one point, he allegedly referred to a style of metal from Scandinavia that he believed would be called “bleak metal” and would feature band members wearing corpse paint and playing fast, angry metal filled with high pitched screams. He then allegedly went into graphic detail about his concern that there might be a so-called “death metal” scene in Florida in the early 1990s where bands like Death and Morbid Angel “could completely warp the minds of an entire generation with satanic imagery and blast-beat drumming.”
Nixon even went as far as saying that if Black Sabbath isn’t killed, we’d see a future with bands like “Suffocation, Pig Destroyer, and Goatwhore telling our kids god knows what”. By “taking out Sabbath”, Nixon believed he could strike a final and decisive blow against the forces of heavy metal. “All we need are a few bullets, a little arsenic in their beer and a car bomb or two. Then the kids will start listening to positive stuff like Anita Bryant and Bing Crosby again. And just what the hell is a Goatwhore anyway?”
However, if Sabbath was successful in their metal mission young people would “fall like dominos” and eventually America would be filled with a majority of “black tee-shirt clad, long-haired maniacs who live to thrash all night and sleep all day.”
Later in Nixon’s life, he slowly began to accept heavy metal and even was rumored to have listened to Pantera’s “Cemetery Gates” on his deathbed. However, his willingness to use the power of the Presidency to kill members of a heavy metal band is deeply troubling for the remaining twenty or so Americans who believe that America doesn’t have the right to go around the world murdering people who are a perceived threat.
Researchers Say Hitting Yourself In The Face With A Hammer Could Potentially Be Dangerous
Posted in Health Tips for An Early Death on March 14, 2012
Apparently, hitting yourself in the face with a hammer isn’t safe after all. An extensive study done by researchers at Harvard University claims that striking yourself with repeated blows to the face with a hammer could potentially lead to terrible side effects. The surprising study, done with 100 small children over a five year period of repeated daily strikings, claims that beating your own head in can lead to loss of appetite, excessive bleeding, blindness, holes in your face, rapid eye movement, death and restless leg syndrome.
According to Harvard Scientist Mark Cranium, “this research should prove, beyond a shadow of a doubt, that hitting oneself with a hammer in the face is a bad idea under most circumstances.”
However, there was some good news for people who enjoy the dull thud of a hammer hitting their skulls. The research showed no connection between repeated hammer strikes to heart disease or Type 2 Diabetes. Also, the Harvard study failed to address the effects of eating hammers, so most likely that is still safe.
The study itself was called into question by researchers for Ace Hardware Store’s Corporate Office who did a separate study and arrived at very different results. The hardware chain found no link between hitting yourself in the face with a hammer and any negative outcomes. As a matter of fact, the Ace study found a direct correlation between two hammer blows a day and a longer, healthier life.
In spite of the recent warnings, many Americans continue to bang away at their faces. “That Harvard government ain’t gonna tell me what to do,” said Beau Clemens, a recent recipient of America’s first state-subsidized face transplant.
Dr. Dean Sluggish, a noted expert from the Southern California Institute of Facial Hammering, also believes that hammering one’s face is not just a personal problem, it’s an environmental problem. “Think of the thousands of trees cut down, the thousands of pounds of metal, the carbon footprint made by smashing one skull to a pulp. In order to turn one face into a bloody mess it requires enough fuel to run a Hummer for 3 minutes. Obviously, there are better uses of nature’s bounty,” he wrote in an editorial that accompanied the study.
“To a man who hits themselves in the face with a hammer, everything is a nail,” added Dr. Sluggish in an attempt to say something quotable.
New Jersey Plans April 24th State Holiday in Honor of Prong
Posted in General Weirdness on March 13, 2012
New Jersey’s most famous residents are about to get a day in their honor. Timed to coincide with the release of their new record, “Carved in Stone”, New Jersey governor Chris Christie has signed into law a bill making Tuesday April 24th “Prong Appreciation Day”. Schools will be closed and all government office buildings will not be in service on that day in order that people have time to wait in what is expected to be 10 hour lines at local music stores to get the album.
Prong has derived a cult following among the thousands of gelato vendors and carnies that control the beaches of the Jersey Shore. They are also quite popular among the warlords, car thieves and flesh-crazed cannibals that run the better part of North Jersey. According to Armond Peterson, Head of Prong For a Better America, a Political Action Committee, the message of corporate neglect and snapping one’s fingers while snapping someone else’s neck really resonates with the people of Jersey, whose love of the band is “unconditional”.
Governor Christie, who claims he decided to go into politics after seeing the band at CBGB’s in 1990, made this holiday a cornerstone of his election campaign against former Goldman Sachs CEO and pension looter Jon Corzine back in 2009. At a press conference today, Christie celebrated his major political victory. “I can’t even freakin’ believe it. What a freakin’ day for metal, huh!?! C’mon, I mean, it’s freakin’ Prong we’re talking about over here!”
When questioned by a 9-year-old reporter from a elementary school newspaper who asked if this was going to be taking time away from creating new jobs, Christie fired back with furious rage. “Hey, first of all, shut the hell up kid! All of a sudden, you’re nine and you think you know how the world works? What the hell do you know, you little punk?!?! You think you can run New Jersey, c’mon up here. Otherwise, go dunk a cookie in some milk and shut your face before I shut it for you.”
Tuesday April 24th is shaping up to be a great day in New Jersey. At 9 AM, frontman Tommy Victor will be handed the key to the city of Trenton. At noon, a parade through Wildwood will take place honoring the band. At 4 PM, the band will be playing a concert on the roof of Newark Airport with New Jersey’s other favorite sons Southside Johnny and The Asbury Jukes. At 9 PM, Victor and the boys will be taking a blood oath and be symbolically inducted into the Genovese crime family by actor James Gandofini.
Over the years, Prong has been one of the best and most consistent bands in metal. If the new album is even a shadow of their earlier work, it will be a masterpiece that should be blasting on every car stereo from Passaic to Perth Amboy.
Drexel, Seton Hall, Cannibal Corpse Snubbed By NCAA Tournament Selection Committee
Posted in General Weirdness on March 12, 2012
For three groups of committed young men, their dreams of a national championship ended before the tournament even got started. Bubbles burst for Drexel University, Seton Hall and Cannibal Corpse during Sunday night’s selection show. Drexel, who went 27 and 6 and 16 and 2 in the always-tough Colonial Athletic Association, had a great regular season but lost to VCU in their conference tournament. Seton Hall, who racked up 20 wins in the Big East and had an RPI of 54, got bumped after an uninspiring stretch run that featured losses to DePaul and Rutgers.
The most surprising omission from the field was famed death metal band Cannibal Corpse. Corpse, who won a band record 28 regular season games and had an RPI of 19, seemed a shoe-in, but a loss in the Horizon League conference tournament finals to Detroit-Mercy seemed to cloud the picture. However, with out of conference wins against Indiana, Michigan State and Testament, few people expected Cannibal Corpse to be on the outside looking in.
The NCAA Selection Committee, which is often tight-lipped about why they picked one team over another, was far from quiet about their exclusion of Cannibal Corpse. “Those guys are animals,” said committee spokesman Michael Newton. “We like to reward teams for good sportsmanship. Beheading the cheerleaders from Cleveland State and mounting the heads on sticks in front of the arena is not the sort of thing that we at the NCAA condone.”
The Cleveland Beheadings were only one event in a season of turmoil for Cannibal Corpse. Point guard Alex Webster was suspended for two games early in the season for removing and chewing the spleen of Butler forward Roosevelt Jones. Forward Paul Mazurkiewicz is currently banned from ever playing basketball in the state of Pennsylvania again for gouging out the eyes of the entire starting Bucknell basketball team and making a necklace out of them. NCAA President Mark Emmert went a step further saying, “Not only should not be in the NCAA tournament, the lot of them should probably be awaiting appeal on death row.”
The band had planned the release of their excellent new album “Torture” on March 13th to coincide with the first round of the tournament. Cannibal Corpse had been considered filing suit against the NCAA for excluding them from the tournament based on their character. “There have been teams of guys just as bad as us who have won National Championships. Ever heard of UNLV?” said irate center George “Corpsegrinder” Fisher. However, Fisher quickly dropped the idea of a suit when he realized it might cut into the 567 consecutive hours of World of Warcraft he is planning on playing in April.
(Thanks to Shawn Von Deathmetal from Universe Number Five for inspiring this fantastic piece of Pulitzer worthy journalism)
A Monument To Nothing
Posted in Existential Rambings on March 11, 2012
Imagine it for a minute. Nothing. Somewhere between the Korean War Memorial and the ever looming, alabaster figure of President Lincoln there stands a room. It is a small room, the size of a tiny studio apartment. The walls and ceiling are made of clear black granite. On a spring day, when the sun is shining, it appears to glow. Beyond its stunning features, its contents themselves are wholly unremarkable. Inside it is absolute emptiness.
The monuments around it all boast a rich and proud history. In some cases, it’s a history that we proudly cling to. Jefferson standing rigidly, an unbending symbol of the triumph of the individual over the menacing tentacles of the state. Lincoln staring passionately into a world that did not always share his vision, commanding dignity and respect for those who have been silenced by the oppressive spirit of commerce without compassion.
There are also the nightmares. The memories that we keep close to us in order to remind us of our most terrible moments. The misunderstood carnage of Korea. The endless horrors of Vietnam. Memories of so many wars where bodies and minds were mangled and destroyed. These memorials are there to remind us never to forget those who gave up their place in this world. Of tomorrows never realized. Of futures never lived. Of families smashed into a million pieces. These are the last testimonies of those who never came back and rejoined this bizarre American carnival of ours.
While each of these monuments and so many others throughout the Capital District are deeply meaningful, it is the empty room that represents the most to me. It is the monument for the wars that were never fought. A symbol of the lives that were never lost. It is endless possibility. In this room there is no time. It is a monument to the dramatic, life-altering power of a moment recognized.
Its central message is stillness. It seeks not to change the world, only to understand it. This memorial doesn’t spread the American Way of Life around the world, or seek to share the gift of democracy, or do much of anything at all. There are no words inscribed and there is no plaque attached. It announces nothing, proclaims silence and only communicates one fleeting, whispered message.
The room is a memorial to a world without struggle, stress, or strain. Where people can live together in complete acceptance of one another. Where people don’t wish to change those around them. Where people simply are and that is enough. This room is meant to be a place free of judgment. Everything and everyone are okay in this room, not because of any great achievement, but simply because of the beautiful array of skin, bones, organs, and personality that comprise their identity. In this room, you are enough and worthy of every bit of beauty the world is capable of showing you.
In truth, there is no place like this in Washington or any place else that I know of. Peace is often spoken of. We pay a price for peace or we struggle for peace or we are awarded prizes for who among us are most peaceful. But where in our world is peace? Real, enduring peace. It is certainly not embedded in our institutions, which encourage us to push forward and milk every drop of energy from our bodies and spirits. It is not in our homes, or our jobs, or our competitions. It is most certainly not to be found anywhere within our wars. This memorial would be one small island in an ocean of turmoil. At least there would be one place a person could go and simply be without being anything in particular. It is not a religious place, not a secular place, not a capitalist place, not a communist place, not a liberal, conservative, pro-life, or pro-choice place. It’s simply a place for people who want to be something more than they are labeled. Even for a moment.
A Sadomasochistic Review of Sigh “In Somniphobia”
Posted in Pointless Music Reviews, Uncategorized on March 2, 2012
All that is left in my world is Sigh’s new album “In Somniphobia”. I love it. I can’t stop playing it. Over and over and over and over again. I love it so much I want to rip off my shirt and paint the letters S-I-G-H across my chest and run around the local Walgreens screaming at the top of my lungs. I want to beat myself over the head repeatedly with a claw hammer until I do such severe damage to my hippocampus that I forget I’ve heard the album just so I can have the pleasure of experiencing it again for the first time. I long to leap off of a bell tower screaming the lyrics at the horrified spectators. I dream of ripping each of my teeth out and sending it to members of the band to thank them for all the joy they have brought to me.
My love for it transcends all possible love I could experience. I want to go to a beautiful meadow, set out a picnic blanket and caress the album telling it all the things I know in my heart and have been afraid to say. I want to run through a field with it in my arms, laughing girlishly, dancing to the wonderful sounds of the wind whipping through the grass. I want to whisper lovingly into the albums ear, telling it my deepest secrets and most personal desires. Surrender unconditionally to its alluring charms. Bathe it in pure, unadulterated affection.
I feel jealous that others will have the chance to hear this album. When I think of others listening to this album I am filled with rage. I will kill them. I will grind their bones into dust. It is my album. Mine! Their love is cheap and tawdry while mine is filled with the sincerity and innocence of a child. They cannot feel what I feel for this album. They are mere mortals while I have been imbued with the gift of second sight by the god Amen-Ra. They live shallow, meaningless lives. Their love will flicker and fade the minute something else comes along. My attraction will never fade, no matter what happens. If nuclear bombs reign down on the city of Atlanta and all around me is melted and disintegrated, the only thing left will be my boney, skeletal fingers embracing the album, stroking its brow.
Don’t listen to the album. You and the mortals around you don’t deserve it. I’ll know if you are listening to it because I’m in front of your house right now. Watching you. I was at the supermarket yesterday when you bought two bags of pork rinds for 2 dollars and 28 cents. I saw you stop at the gas station and get approximately 8 gallons of gas. I know that you stopped in Hot Topic at 3:45 just to look around. You didn’t buy anything. I am watching you all the time. Even as you sleep. If you dare to listen to this album, I will tie you to a chair and feed you hundreds of pounds cheese dip until either your stomach bursts or your entire body explodes.
I’d give it a 2,389,124 out of 10. I am currently in the process of undergoing a medical procedure to add an additional thumb so I can give it 3 thumbs up. There will never be anything better. Music as we know it is over. People should not even bother to try to create anything else. This is the pinnacle, the zenith, the apogee, the climax of all civilization. It is the Hanging Gardens, the Taj Mahal, the Great Pyramid of Giza, the Mausoleum at Halicarnassus. There is no future, there is no past, there is only Sigh’ “In Somniphobia”.













