An unInterview With Johanna Sadonis From Lucifer Performed By Mickey Rourke Before All The Plastic Surgery
Posted by Keith Spillett in People Who Were Willing To Speak To Me on June 15, 2015
Last night, I was abducted from my bedroom during a fitful sleep by Lucifer vocalist Johanna Sadonis, actor Mickey Rourke and former US Secretary of Defense Melvin Laird. My wife informed me later than the three performed a bizarre Santeria ritual around my bedside and poured some mind-altering substance into my CPAP machine. They then hoisted me out the window and onto famed metal musician Lee Dorian’s flying couch. I awoke hanging from my feet nearly 30,000 feet above the city of Nashville, Tenneesee while Secretary Laird painted my feet with ox blood. To the best of my recollection, here is what was discussed….
Rourke: Do you know Johnny Favorite?
Sadonis: I deliberately chose to create a new concept this time around, as when I founded The Oath. I felt no need to repeat it. I loved that one album we did with The Oath and her raw style of playing fit very well with it. With Lucifer however I wanted to put more weight on 70s Heavy Rock influences and Doom. Deeper, more moody and defined.
Rourke: How terrible is wisdom when it brings no profit to the wise?
Sadonis: Lucifer is not so much influenced by the folk stuff. Black Sabbath is the greatest influence to Gaz and me, yes. Gaz is also a huge Trouble fan. Other big influences to Lucifer are Deep Purple, Uriah Heep. Blue Öyster Cult, Aphrodite’s Child, Lucifer’s Friend, Led Zeppelin, Pentagram. The list goes on! I am personally also very influenced by 70s Heart, 70s Fleetwood Mac, Jefferson Airplane and the Shocking Blue.
Rourke: You ever watch the Mickey Mouse Club? Because you know what today is?
Sadonis: These are two great bands. Bands like these of the 1960/70s have an original fire and spirit because what they did was fresh at the time. Heavy distorted guitars and in the case of bands like Coven and Black Widow wrapped into a magic dress. I just watched a Black Widow full show on the German TV program Beat-Club the other day. It was a black mass ritual complete with magic circle, a nude girl as a vessel, ritual knife etc. Today that is not shocking anymore but then it was obscure and fairly fresh. It was daring, extreme and creative. I love that spirit and look up to it. I also love hearing the direct influence these bands drew from, music my mother raised me with.
These bands are direct successors of their influences in blues and you can still hear it prominently shining through. That is beautiful to me as it is the musical language I grew up with. I’m a rock’n’roller at heart. I’m not saying modern bands in general lack this but it is certainly difficult trying to reinvent the wheel within Rock Music nowadays, so yes, I can relate much better to the original spirit than to copies of copies.
Rourke: What gives human life its worth anyway? Because someone loves it, hates it?
Sadonis: Thank you so much! You took the words right from my mouth!
Rourke: Are you an atheist? Do you speak French? Are you from Brooklyn?
Sadonis: It is a very powerful name, yes. I put a lot of thought into everything I do. It shouldn’t matter so much what people think. It has to make sense to me and it does.
Rourke: Why do you have a thing about chickens?
Sadonis: I have been playing in bands since I was a teenager and have been along the way very involved with the Metal scene in general all these years as a DJ, as a local promoter putting up shows and running events in Berlin. I have for example an old school Heavy Metal party called Kill Em All Club for almost six years now too. When we released the first single with The Oath on High Roller Records, several labels approached us for the album. Rise Above was one of them and we decided to go for them because of their catalogue and dedication. I didn’t meet Gaz until we played in London with The Oath.
Rourke: Mephistopheles can be a mouthful in Manhattan, don’t you think?
Sadonis: Lucifer genuinely plays from the heart and not what might or might not be expected. I don’t measure Lucifer with other bands. I’m not looking at modern bands for inspiration. We might share similar influences with some of these bands. Whatever these inspirations are channeled into though, be it any of the mentioned bands or us, I don’t think needs to be compared. We all differ musically very much from another. I am however friends with most of these bands and respect and admire their work as contemporaries.
(Robert De Niro suddenly appears on the flying couch looking very much like Satan)
De Niro: Some religions think that the egg is the symbol of the soul. Did you know that?
Sadonis: In fact, my parents were listening to 70s music. My rebellion as a teenager was listening to Heavy Metal. I was a complete misfit for it at school actually. I went to my first metal shows at the age of 13. That was GunsNRoses and Metallica. Danzig then turned me onto a darker path and by the time I was 15/16 I started deeply into Black, Death and Doom Metal. Later on I opened my horizon musically and started digging into the past of musical history and here we are now.
DeNiro: Would you like an egg?
A huge difference indeed. The devil is only part of the whole picture. A metaphoric figure. Devil worshipping might have a strong appeal but it is very one sided. I am very interested in the dark side of things and had a time in my life I leaned very strongly towards it. However I learned that it applies much more to my life to draw perspectives on existence, death and everything beyond from ALL religions and philosophies. There is a universal duality. There is no dark without light and vice versa. And ‘as above so below’ as a central principle. I embrace it all with an open heart. I’m a very spiritual person and I have been looking for answers from an early age on – everywhere.
Melvin Laird: Why did you let Bedbug Eddie take Paulie’s thumbs? Do you worry that protecting him from his own mistakes will eventually lead to your undoing?
Sadonis: Lucifer is a very complex figure. He is the morning star, the bringer of light in the Hebrew bible, Greek and Roman mythology. As the morning star, he represents Venus, the brightest star in the sky, only seen while descending during morning hours, hence Lucifer ending up as the fallen angel in the bible. The Old Testament had very positive things to say about the son of the morning. Unfortunately later on his figure was used to teach a lesson Christian style. He was now pictured as a favoured angel to god for his beauty and intellect and cast out of heaven when it got to his head and he started ‘sinning’. He ended up as being this common misconception for being a rebel: the devil. A wrong picture conjured in the bible. To me Lucifer is beautiful, bright and very misunderstood. A misfit. The name is not related to Kenneth Anger even though I am a fan of his work.
That’s the last thing I remember. I awoke the next morning in my bed unharmed.
An unInterview With Gary Meskil From Pro-Pain That Didn’t Really Take Place After I Was Beaten At Shoprite
Posted by Keith Spillett in People Who Were Willing To Speak To Me on June 8, 2015
If I could be anyone when I grow up, it would be Gary Meskil from Pro-Pain. I have an unhealthy fascination with the man’s work. The band has several thousand albums and I have memorized every detail about every one of them.
You can imagine my surprise when I ran into him in a Shoprite in Passaic, New Jersey. He was buying turnips. I was so overcome with joy that I began leaping up and down and shouting. I attempted to hug Mr. Meskil when a store security guard, who erroneously believed I was trying to assault him, hit me over the head with a billyclub. I lost consciousness.
When I awoke, I was in a hospital room. Gary was standing there with my family looking extremely concerned holding a Whitman’s Sampler and a card that said “Get Well Soon, Champ!” on the front. I began asking him questions…
Me: I saw the band play back in 1992 when “Foul Taste of Freedom” had just come out. One of my favorite shows ever. It was in a Guido bar in New Rochelle, New York called Marty and Lenny’s that occasionally did metal shows under the equally awful name “The Rocker Room”. I was a skinny high school kid with a Gabe Kaplan from “Welcome Back, Kotter” looking Afro. I was wearing an Immolation shirt. How would you rate my performance in the pit that night?
Gary: I would give it the highest of scores. A perfect 10! Aerodynamic haircuts are timeless and seem to be quite practical in and out of the confines of the pit. The spherical shape obviously aides in getting to the forefront of the circle pit and also in eluding certain rough and tumble types. The Gabe Kaplan cut was a good one! Add an Immolation T-shirt and you have a perfect score!
Me: Was Johnny Black a real guy or is that a made up story?
Gary: It’s a true story, but I made it vague enough so that the fans could relate to it via their own story. It’s generally about a modern day James Dean type. Someone whom we all looked up to “way back when”. Then as the years went by, everyone and everything seemed to change around him, yet he stayed exactly the same. As a result, those who once idolized him suddenly frowned upon him. He died young, and I was inspired to write about my observations of people who lose their inner child as they grow older. Suddenly everything becomes shallow and forced, with talks about the weather and such. I admire people who have the guts to always be themselves.
Me: You have an incredibly powerful, distinctive voice. Have you ever ended up in a public situation where a used car salesman or some other idiot is jerking you around and all of a sudden you change your voice like in “Johnny Black” and scare the hell out of them?
Gary: That’s a great idea, but I can’t recall ever vocally changing gears like that as a fear tactic in public. However, as a father it came in quite handy sometimes to use my “stage voice”, since I’m in favor of sparing the rod.
Me: (in a serious voice) A running theme in your music is a weariness and frustration with American military adventurism. From “Iraqnophobia” to “To Never Return” (a song I believe to be one of the most passionate indictments of US foreign policy ever put to music), you have railed against the government’s choice of wars. Do you see anyway for the United States to, at this point, extract ourselves from decisions driven by the military-industrial complex or are we pretty much stuck playing that hand until Armageddon or revolution?
Gary: It’s pretty idealistic to think that war is somehow not perpetual. That is indeed how insane the world is. There seems to be a disharmony between humans and nature. Perhaps we are alien to this Earth. The wars and occupations will continue as long as at least half of the citizens of the occupying country are somehow convinced that it is necessary. The world desperately needs more tolerance and less ignorance.
Me: You have done some interesting experimenting with your sound over the years. Have you ever thought of doing a really freaky, out-there Pro-Pain album? Maybe a mix of thrash, hardcore, gospel, and Bangladeshi folk music. Or something in that vain?
Gary: That would be interesting, if nothing else. I think there are bands out there who experiment to the extreme in that regard. System Of A Down comes to mind. They use their influences really well, in my opinion. With Pro-Pain, there have been quite a few exploratory moments over the years, and more than we are given credit for (I’m sure). We used 808 samples (now called bass drops) in 92’, we had trumpets on our debut , a sax solo and Ice-T duet in 95’, horn sections on various songs, melodic vocals, and lots of guitar wizardry….yet some still categorize us as just a hardcore band.
Me: I’m in the Pro-Pain Army on Facebook. Is there any chance we could go to war with the Kiss Army? We could invade the makeup aisle at Target or something. Go after anyone who has whiskers painted on them. What do you say?
Gary: Sounds like a plan, (and good PR). We might be outnumbered, but their Love Guns are no match for our PRO-PAIN Tanks!
Me: What do you think the greatest film ever made is?
Gary: The Wonderful Wizard Of Oz
Me: Really? Why?
Gary: Because it was beautiful on it’s face, ugly inside, and was magically and majestically presented on the big screen circa 1939. To this day, there is still so much room for all kinds of interpretation (political and otherwise). Fascinating stuff!
Me: Once I was hanging out with a bunch of serious hip-hop heads that were all freestyling rap lyrics. Everybody sounded really good and I was nervous because I can’t freestyle for my life. Each guy did a verse. They were making fun of me because they didn’t think I could rap. Luckily, I knew “Pound for Pound” by heart and none of them listened to metal. I jumped up and did the whole song. They all looked at me in stunned silence and acted like I was some sort of genius. I pretended I made the lyrics up and they all thought I was cool from that point on. I’ve always felt guilty for passing your work off as my own. You’re not angry, are you?
Gary: No. It must have happened some time ago though, because “Pound For Pound” is now required learning in most urban schools around the country. The class is called Street Cred 101.
Me: (at this point, I dramatically grabbed his hand…I think it made him horribly uncomfortable, but I wanted to convey the importance of what I was about to say) Promise me you’ll never stop making Pro-Pain albums. EVER! I want your word on this.
Gary: Define EVER. My word is that I’ll keep making PRO-PAIN albums as long as I’m ABLE. (see ABLE under definitions).
Definitions:
ABLE: See EVER
Me: (I look away from Gary and directly into the eyes of YOU, the audience) They have a new album coming out this month. It is called “Voice Of Rebellion”. You need to buy multiple copies of it and give it to all of your family members and friends. If you do not buy at least five copies, hundreds of bees will attack you when you are not expecting it. Like, when you are sleeping. Or, on an airplane.
Triple Crown Winner American Pharoah Eaten By Members of Heavy Metal Band Watain
Posted by Keith Spillett in General Weirdness on June 8, 2015
Have you ever been so hungry you could eat a horse? On Sunday night, members of the black metal band Watain did just that.
At the end of an impromptu show at Wantagh, Long Island’s VFW Hall 3666, singer Erik Danielsson and the rest of the band carved up the now-legendary horse American Pharoah and consumed him raw. After the band concluded their concert and meal, they donated the remaining edible flesh of the animal to the audience of nearly one hundred formerly enlisted soldiers who served our country with honor during The Korean War and World War 2.
The thoroughbred’s owner Ahmed Zayat, who himself plays in a Megadeth cover band called Hoof in Mouth, is a huge fan of heavy metal and Watain in particular. He demanded that trainer Bob Baffert play Watain’s seminal metal song “Reaping Death” for at least an hour during each of Pharoah’s workouts in order to inspire the horse to greatness. Zayat’s love for the band is so great, that he gave up the hundreds of millions of dollars in stud fees that the horse was bound to command in order to “feed Satan’s Hunger” and pay tribute to his heroes.
Many parts of a horse are not consumable by human beings. In an attempt to be environmentally conscious by not wasting unused horse parts, the band threw many of the animal’s organs into the mosh pit of elderly servicemen during their show. Later in the evening, in a prank inspired by Francis Ford Coppola’s seminal film “The Godfather”, they broke into the nearby summer home of Slayer guitarist Kerry King and placed the beast’s head in bed next to him.
While eating a raw horse is rare among metal bands, involvement in the sport of horse racing is certainly not unprecedented among some of the genre’s legendary figures. Former Samhain vocalist Glenn Danzig is believed to have sired several horses that have run in past Triple Crown events including 2007 Kentucky Derby runner up Twist of Cain and 2011 Preakness winner Her Black Wings.
Metal has also seen its share of horse racing controversy. Texas gore metallers Devourment were briefly detained by police back in 2003 when they were thought to have stolen and consumed the body of diminutive jockey Willie Shoemaker. Shoemaker’s remains were found safely weeks later in a basement in Kenosha, Wisconsin.
The question on everyone’s mind after the evening’s festivities was just how did the horse taste? According to Danielsson, “Kind of like baby.”
An unInterview With Zyklon-V From AntiKosmos; I Am Transforming Into A Beagle
Posted by Keith Spillett in People Who Were Willing To Speak To Me on May 28, 2015
Zyklon-V from AntiKosmos is the mammal pictured above. She is wearing animal blood and wooden shoes. Myself and a team of botanists from NASA interviewed her moments before the heat death of the universe. Here’s what happened…
Me: AntiKosmos?!?! What…do you just want to see the Kosmos banned? Then what, only criminals and the government will have access to the Kosmos? You know who banned the Kosmos? Hitler! You know who thought it would be a bad idea to ban the Kosmos? Gandhi!
V: I’ve always found “Turkish Delight” to be a really presumptuous name for a candy (or, I should say, so-called candy). I mean, what’s delightful about popping a sweet into your mouth only to discover that some nasty, fez-wearing miscreant bent on revenge against the decadent West has swapped it out for one of those decorative rose-scented soaps your grandmother used to keep in the guest bathroom but yelled at you if you actually tried to use to wash your hands? “Turkish Disappointing Surprise You’ll Be Tasting With Every Burp For The Next Presidential Administration,” more like.
M: It’s your birthday. Someone gives you a calfskin wallet. How do you react?
V: I once listened to “Yakity Sax” for 36 straight hours on a loop while totally naked in a sensory deprivation tank, with no breaks for food or toilet. When I emerged, everything was exactly the same as it had been when I went in, except there was a gentle trickle of cerebro-spinal fluid from my ear that continued for a week, and I subsequently lost the ability to taste mallocreme. I think this is as relevant a commentary on the state of black metal as anything I have read in a glossy music criticism publication.
Q: If Arby’s began selling a sandwich covered in the sweat of Glenn Danzig, why do you think we faked the moon landing?
V: When I was a kid in primary school, I fell off my bike and scraped my knee so bad the kneecap was visible. My mother wanted to use a toothbrush to get the pebbles out of the wound, but my father said that was torture and used a washcloth. After that, I charged my classmates money to pull the bandage back and gaze upon the wound, like the contents of the briefcase in Pulp Fiction. I got addicted to the fame, and after the wound healed, I would eat anything brought to me for money – I ate bugs, pre-chewed gum, once all I had to do was put a found mouth guard in my mouth for thirty seconds. I guess what I’m saying is that child prostitution is educational but ultimately dehumanizing, and AntiKosmos does not use fake blood in our performances, so please stop asking.
H: Have you ever walked up to someone wearing those weird plastic “Bubba” novelty teeth that are pointing out in all weird directions started pointing and laughing hysterically then realized the person is not actually wearing novelty teeth and really looks that way?
V: For years, I avoided eating bananas because I read that an enzyme your skin secretes after banana consumption makes you more susceptible to mosquito bites. Then I realized I live in a high rise apartment complex in the middle of a city, and I haven’t seen a mosquito in almost a decade. So I bought a bunch of bananas, and when I reached for the first one, as if to mock the celebration of my return to banana-dom, I was immediately viciously attacked by a tarantula that had hidden itself amongst the bunches in a do-or-die immigration attempt from Honduras. Needless to say, I don’t watch televised figure skating anymore.
Ed: You get into a taxicab. The man sitting in the seat next to you has a necklace made out of the ears of deceased members of the Kennedy family. You ask the driver to go north, he immediately proceeds south. He has a picture of a Benito Mussolini branded into his forehead and looks slightly like Florence Henderson on the early episodes of The Brady Bunch. Over the radio, you faintly hear the whimpering of a small dog. What do you do next?
(warning the following answer contains strange Dutch stuffed animals talking to one another If you are allergic to stuffed animals or Dutch people or your workplace has a policy in which watching talking owls can cost you your job, do not click the link)
Click here if you dare
K: In John Cassavetes’ 1976 masterpiece, The Killing of a Chinese Bookie, the lead character, Cosmo Vitelli, skillfully played by Ben Gazzara, is sent on a mission for the local mob boss to whack a bookie that is cutting into his business. At some point during the film, a nuclear bomb is detonated in the city of Calgary. Years later, three-headed Canadian beasts emerge from below the surface of the earth and consume all of the margarine available on the United States mainland. Have you ever committed a blunder and later regretted it?
V: People make a lot out of famous last words. I think some people reveal themselves to be utter deathbed try-hards (not naming names here, but I’m definitely looking at you, Oscar Wilde). For my money, the greatest last words ever uttered were those of Thomas Grasso, who was executed in 1995 for strangling an elderly woman to death with her own Christmas lights over what amounted to $137. His words stay with me to this day, and now I’m passing them on to you so their wisdom will echo through the ages. He said, “I did not get my Spaghetti-Os, I got spaghetti. I want the press to know this.”
KL: You’ve got a little boy. He shows you his butterfly collection plus the killing jar. What do you do?
V: Did you know that there’s a sort of tunnel-like spot in the architecture at the Canadian Embassy in Washington where you can scream as loud as you want, but nobody outside the tunnel can hear you at all? I’m starting to feel that way about this interview.
5: You’re watching television. Suddenly you realize there’s a wasp crawling on your arm.
V: I get a lot of emails from Smithsonian magazine. They’re that sort of “we want you back” emails that you get when you let your subscription lapse. They’re all intended for an ex-boyfriend I dated 6 years ago. I never mark them as spam or take myself off the mailing list, because I enjoy reading the mini articles they use to try to tantalize you into re-subscribing. There’s probably some ironic commentary there about the detritus of old relationships haunting you long after they end, but right now I’m much more concerned with when the 100,000 Dollar Bar changed its name to 100 Grand, and what made them think they could be so colloquial all of a sudden.
U: You’re in a desert walking along in the sand when all of a sudden you look down, and you see a tortoise, it’s crawling toward you. You reach down, you flip the tortoise over on its back. The tortoise lays on its back, its belly baking in the hot sun, beating its legs trying to turn itself over, but it can’t, not without your help. But you’re not helping. Why is that?
V: As a small act of protest against the patriarchal hegemony asserted by this question, I’m going to ask your readers to join me in a silent, ten-minute contemplation of the McRib sandwich (not available in all markets; check your local franchise for details and nutritional information; limit 17 per customer).
K: One more question: You’re watching a stage play – a banquet is in progress. The guests are enjoying an appetizer of raw oysters. The entree consists of boiled dog stuffed with rice. The raw oysters are less acceptable to you than a dish of boiled dog.
V: Great question. I get this one a lot, and it never fails to really trip me up and make me think. The thing we all have to come to terms with, I think, has less to do with whether human life is imbued with inherent value by nature or some sort of creator being (I think we waste a lot of time contemplating this – time that could almost certainly be better spent ingesting frozen custard), and more to do with whether there really is an “airport rate” that hired cars in Albuquerque are required to charge for rush-hour travel through downtown, or whether that cab driver was ripping me off. Look out for AntiKosmos’ debut long-playing record album “Lachryma Mortis,” available at finer stolen car chop-shops later this year.
Chief Keef Set To Release Chuck Schuldiner Hip Hop Tribute Record Titled “Trappin’ Da Corner”
Posted by Keith Spillett in General Weirdness on May 27, 2015
Heavy metal artists and fans alike consider death frontman Chuck Schuldiner as the most significant force in the genre that came to be known as “Death Metal”. From the sheer brutality of “Scream Bloody Gore” to the technical wizardry of “Symbolic”, Schuldiner constantly took metal in directions it had never been before. However, what few headbangers realize is that Schuldiner is a legend of equal or even greater status in the Southern hip-hop scene.
Rapper Juicy J, seen wearing a 1991 era Spiritual Healing tour shirt in the video for his song “That What A Pimp Does”, recently recalled how Death’s music was a major influence on his decision to begin his musical career with several of his friends.
“Paul (DJ Paul), Richard (Lord Infamous) and I were sitting around discussing the merits of Keynesian economics. Richard was really into the whole Austrian, invisible hand scene at the time and was going on and on about methodological individualism. Now, Paul and myself were strictly Frankfurt School guys and had been reading heavy amounts of Marcuse and Horkheimer at the time, so we weren’t hearing it. As you an probably imagine, things were starting to get heated.”
“Anyway, we had on Death ‘Leprosy’ in the background and the song ‘Pull The Plug’ came on. The whole conversation stopped and we were mesmerized. A week later, we started Three 6 Mafia.”
According to Paste magazine editor Atticus Flinch, Three 6 Mafia is hardly the only rap group that was inspired by Death. “It’s hard to not hear a little bit of Schuldiner’s work on nearly every record that’s come out of the so-called “Dirty South” over the past twenty some odd years. Be it the 808 kick drums, the auto-tune vocals, the gritty, nihilistic lyrics about the everyday struggles associated with urban life or the frantically-paced, melodic guitar solos. Pick up anything from Waka Flaka Flame to Souljah Boy and you’ll see Schuldiner’s fingerprints all over it.”
The tribute record was put together by Chicago based rapper Chief Keef, but will feature some of the top names in hip hop as guest artists including the man some have taken to calling “Evil Chuck Jr.”, producing icon Shawty Redd. Shawty, whose name in real life is Preternatural Transmogrifyer, was 10 years old when “Individual Thought Patterns” first came out.
“I remember asking my parents over and over again to take me to the store to buy that album. At the time, I was deeply interested in gardening. I used to play ‘Cosmic Sea’ off of ‘Human’ to my begonias at night to help them grow. I remember running into my bedroom when we got back from Sam Goody and hearing that crazy opening from ‘Overactive Imagination’ and knowing, at that moment, the true meaning of love.”
“Trappin’ Da Corner” is due to drop on June 12th. If you see it on the floor, please pick it up and place it back on the shelf or, better, find a customer service person to help you find the correct place to put it.
Islamic Terrorist Group Sodom Banned From Traveling To U.S. For Maryland Deathfest
Posted by Keith Spillett in Uncategorized on May 21, 2015
The State Department has refused to officially comment on a recent report that Islamofascist group Sodom was not issued visas in order to perform at this weekend’s Maryland Deathfest. However, senior sources with in the Office of Homeland Security have confirmed, off-the-record, that a visit to war-torn Baltimore by the band could lead to an outbreak of evil on a scale unrivaled in this nations history.
One unnamed official pointed out that the band has embraced a form of justice more menacing then even the Sharia Law practiced by ISIS. “We’ve seen reports that these doers of evil are so obsessed by cruelty that they have advocated a legal system based solely upon “The Saw”. The song “The Saw is The Law” is a manifesto encouraging the abandonment of democracy and the rule of law. Instead, these destroyers of civilization want to rule through the use of a violent tool INVENTED BY EGYPTIANS!”
“The saw is a simple tool that can be assembled by one terrorist alone in his basement. You could make one for less than the cost of a cup of coffee. However, when used correctly, a group of terrorist with saws could be responsible for the deaths of hundreds of thousands of unarmed, innocent Americans.”
Another concern voiced by officials connected to Sodom’s banishment from America site their frequent references to weapons of mass destruction in their songs. According to top ranking military intelligence officer, “Sodom consistently encourages their fans to use Agent Orange and Napalm. Granted, they only advocate the use of napalm in the morning, but nonetheless, this Group of Three has displayed wanton disregard for the safety of Americans with their irresponsible lyrics.”
“Can you imagine what would happen if the groups shadowy leader Thomas Angelripper, a man who has talked frequently at his concerts about having a “Nuclear Winter”, was able to sneak a nuclear warhead into his carryon bag? One word….Genocide.”
Norwegian Black Metal Linked To Abrupt Resignation of U.S. Secretary of Defense
Posted by Keith Spillett in General Weirdness on May 20, 2015
Washington, D.C– Pentagon has released shocking new information surrounding Secretary of Defense, Chuck Hagel’s abrupt and unexpected resignation. Sources state that Hagel’s resignation was due, in part, to lack of support in his classified mission to negotiate alliances with various Norse metal icons in the fight against the expanding threat of Middle Eastern terrorist groups.
At one official event, a defiant, rather Scotch-addled Hagel declared, “The only way to defeat such heinous acts of violence steeped so deeply in an extreme ideology is with counter-terror of epic proportion! The power of the quintessential warriors, whose ancient lineage of voracious brutality has been the stuff of legends! No more time can be wasted, no more innocents lost; we need to strike while the iron is hot! We absolutely MUST unleash the wrath of the Northern Darkness!”
Quoting his favorite drummer Frost (Satyricon/1349), Hagel further punctuated his position exclaiming he was, “talking about Darkness with a capital D, if you understand what I mean!” Unfortunately, no one really understood what he meant. Several of the President’s handlers believed it was meant as a racial slur towards the President and cut off Hagel’s bar tab; thus heightening tensions within the administration even further.
Hagel’s work was met with resistance from both sides. On the Norwegian front, meetings with the enigmatic Gaahl (Gorgoroth/Godseed/Wardruna) resulted in a stalemate of awkward silence and numerous unsettling stare-downs on the part of Gaahl, when Hagel simply could not ‘ask the right questions’.
Back stateside, “Operation FROSTbite” was never able to even get off the ground due to what Hagel claimed to be nefarious actions on behalf of Homeland Security in the form of repeated denial of work visas. According to Hagel, “Homeland Security’s energy would be better spent targeting home-grown terrorists such as Nickelback fans. Unlike America, Frost is a fine-tuned machine and his blast beats should be the least of this country’s concern.”
Hagel was contacted by representatives of Immortal to aid in the mission, however Hagel felt that Abbath’s proliferation of internet ‘memes’ and numerous unsavory associations with famed internet personality Grumpy Cat would compromise the integrity of the operation.
Hagel’s final, cryptic statement, “If you can’t beat’em, burn churches with ’em. I have much grimmer pastures to pursue” led many experts to believe there was more to the story than the government had previously indicated.
Before the arrival of his replacement Ashton Carter, Hagel cleared out his office, packed up his corpse paint and headed to Europe for Bloodstock and the 2015 European festival season. He was spotted as recently as last Wednesday wandering the streets of Oslo in the middle of night muttering Bathory lyrics under his breath and baying at the moon.
(By Kimmy Deranged, an enlightened Black Metal yogi who lives in the Rockies, drinks too much rubbing alcohol and is convinced she can talk to tortoises)
Varg Vikernes Suspended For 4 Games By NFL For Using Deflated Murder Weapons
Posted by Keith Spillett in General Weirdness on May 18, 2015
The NFL has suspended Jacksonville Quislings quarterback Varg Vikernes for four games for deflating the footballs he used to beat nine French tourists to death last year.
The league called the discipline “relating to the use of underinflated footballs as tools of death and dismemberment” necessary to stop behavior “detrimental to the integrity of the league.”
Vikernes, who went on an anti-French murder rampage outside of the team’s stadium after Jacksonville’s 51-7 loss to the Houston Frotteurists in December, believed that “someone had to take a stand against their decadent lifestyle, Jewish tendencies and obsession with flaky pastries”.
While Vikernes would not deny his participation in what the media is calling #Deceasegate, he claims that the footballs used were regulation sized. According to his agent Mehlvin Goehring, “Vikernes would not willingly use undersized footballs in order to murder French people. His commitment to the proper use of regulation murder weapons is unparalleled in both the NFL and the black metal community.”
Sports talk radio was aflame with anti-Vikernes rhetoric today. On ESPN’s morning radio show “Mike and The Barely Coherent Mook”, host Mike Greenback opined, “You can’t just murder people with underinflated footballs. There are rules that must be followed!”
“What sort of league would we have if players just went around killing one another with weapons not approved by the NFL? What if the Bears wanted to knock Aaron Rodgers out for the playoffs and threw a toaster oven in the bathtub with him instead of using NFL approved arsenic in his coffee? Or if the New England Bartholin Glands decided to bludgeon Abbath to death with a sledgehammer instead of stabbing him multiple times in the face with a regulation sized kitchen knife? It’s a slippery slope if you’re not playing on a level playing field.”
According to ESPN afternoon host Clam Cowheart, “See if you can follow me here… it’s not the actual murders that made the NFL punish Vikernes. He murdered French people. Americans HATE the French! They changed the name of fries to Freedom Fries in this country after a group that wasn’t EVEN FROM France attacked the US.”
“No one cares about Vikernes killing some French people whether he used regulation-sized footballs or mini-footballs or waffle irons. It’s the cover up. If Vikernes had come out right away and said ‘Yeah..I killed a few Frenchmen with some underinflated footballs’ the public would have forgiven him in a second. Just like Nixon…if he had told the truth right away he would have gotten a third term. He’d probably still be President today. It’s the lie that gets you in trouble. Has been since the beginning of time.”
Several former NFL players attempted to go on the record in support of Vikernes, but due to severe head injuries they received while participating in the sport they were incapable of uttering anything besides a few grunting, gurgling noises.
Koch Brothers Purchase The Sun
Posted by zenaphobe67 in General Weirdness on May 18, 2015
Corporate Friends With Benefits
Koch Industries, America’s most influential and wealthy corporate person in history, has scored a major victory for the free market today by purchasing the Sun. Like most non productive pieces of real estate, the Sun has been a drag on the solar system for far too long, but like with any other problem in life, it’s nothing that a few billion dollars and an army of lobbyists can’t solve.
The Sun has been seen by many on the political right as a model for socialism and entrepreneurial malaise, looted by moochers and takers for its life sustaining properties with zero return for shareholders. The concept of renewable energy has known ties to Marxist Nazi ideology, and has been foisted on impressionable schoolchildren for decades via socialistic fascist propaganda efforts such as Mr. Roger’s Neighborhood and Captain Planet, as well as aspartame free Pepsi and un-fracked drinking water.
Thanks to the Koch brothers America will no longer live in leftist darkness and grope through the night of solar hand outs and dependency, but will have the freedom to participate in the solar marketplace free of the influence of job killing big government.
Solar Fascism Destroying American Values
As they awaited for President Obama to retrieve the title deed for the Sun from the depths of the Hillary Clinton’s secret cache of 3.5″ floppy discs, the Koch brothers laid out their plan for the future of solar enterprise. Firstly, every American will be required to sign up for Koch Care. In order for all Americans to experience the joys of energy independence, they will need to obtain the needed technology to harness it’s never ending capitalistic freedom.
Koch Care entitles citizens to roam the sun soaked streets of old time America in a variety of job creating ways, the most basic of these being the Coolie Hat. The Coolie Hat gives the wearer a means by which to gather photons in an economical manner for use throughout the day. Each hour of sunlight will be stored in a tar sand battery and will emit a generous cloud of red, white, and blue carbon dioxide to help keep winter heating costs down.

Coolie Hat (Pancreas Pump Not Included)
The second component of Koch Care is harnessing the power of liberal rage. Ever since the dawn of time, liberals have generated tremendous amounts of wasted energy in the form of rage, from Neanderthal Snorg bemoaning the killing and eating of innocent nuts and berries, to Ronald Reagan advocating Second Amendment destroying legislation in the Brady Bill, liberal anger has been a squandered natural resource. To this end, Koch Care is taking several steps to ramp up liberal rage production.
One means is to use the newly acquired Sun to burn the useless coal and oil supplies America will find itself with through operation Coal Chamber. By buying the now defunct NASA from Ted Cruz for pennies on the dollar, operation Coal Chamber will utilize the space shuttles to haul excess coal and oil to the Sun for incineration. To optimize liberal rage production, the space shuttles will be fitted with 18 foot diameter smoke stacks to leave giant plumes of black smoke as they exit Earth’s gravity. America will once again be the envy of the world as her liberal rage storage grids burst at the seams, ready to be sold back to an unsuspecting public through programs such as Fox News and QVC.

Actual Liberal’s Head Exploding Literally
As one would expect,Democrats are already condemning the Koch’s solar acquisition and want to impose new taxes on the wealthy to pay for a Moon sized mirror to reflect free sunlight to pale children and families working less than 5 jobs. Democratic presidential hopeful, Dewy Givemore, is proposing new legislation to build the giant mirror with a sales tax on bottled fracking water and life saving pancreas pumps. Representative Givemore has also formed a committee to study the side effects of Coolie Hats on the endangered Spotted Mugwump and the link between aspartame and blast beat deficiency in black metal fans under 12 years of age.

Post Blast Beat Deficiency Syndrome






























