Keith Spillett
I have a lot of strange debris rattling around my mind that I need to work out in a useful way.
Homepage: https://tyrannyoftradition.wordpress.com
Dispatches From The Democratic Convention September 7th, 2040
Posted in The Politics Of Catastrophe on July 4, 2011
Last night, the 2040 Democratic Convention came to a boisterous end. President Juan Jose Herrera gave a rousing speech to the conventions nearly 90,000 spectators who were crammed into Phoenix, Arizona’s newly built Cardinal Arena. Phoenix, which some have taken to calling The Capital of The New Southwest, has been a leader in the recent nanotech boom that has revitalized the American economy and brought unemployment below 15 percent for the first time since 2019. Herrera’s popularity has been on the upswing in the last year after a string of positive economic reports and an end to the nearly 10-year war in Ethiopia. “A new day has dawned in America,” announced Herrera to the galvanized crowd, “and we are on the forefront of becoming great once again!”
The convention has not been without its difficulties. Herrera, a master campaigner, led his party to victory 4 years ago by uniting a unique coalition of Hispanic Americans, Social Conservatives (SoCons) and Weather Watchers. His ability to woo SoCons by connecting traditional family values and economic equality brought a new base to the Democratic Party and allowed them to win states that had traditionally gone Republican like Georgia and Utah in the 2036 election and in the 2038 midterms. In the last Presidential election, nearly 78 percent of people who considered themselves SoCons voted for Herrera. As President, Herrera has been able to pass several SoCon initiatives including a Constitutional Amendment mandating a moment of silence or prayer at the beginning of the school day. He has been less successful with legislation banning the abortion pill and outlawing human cloning. Pundits have predicted that he will have a difficulty carrying that high a number because of the challenge in his party from breakaway SoCons like Reverend Marcus Falwell-Guzman. Falwell-Guzman, who famously quipped during the 2036 race that the only thing SoCons ever got out of the Republican Party were “prayer breakfasts and lip service”, is still considering a 3rd Party Presidential run, but insists he is firmly behind the President “for now”.
The Weather Watcher movement has also had issues with President Herrera. The movement, started as a response to the Great Northeastern Flood of 2028, is firmly committed to strong environmental protection legislation including the bill to end the use of coal by 2050 that stalled on the floor of the Senate last month. Herrera has embraced many of the Weather Watchers core issues but has not been successful passing many of their legislative priorities. Still, the No Government Regulation by 2055 pledge issued by the Republican Party last year has forced most of the remaining Independent and Republican Weather Watchers into supporting the Democrats.
Then, of course, there is the Problem of The Moths. In his speech, Herrera gave special attention to the issue stating,“The Problem of The Moths is not an easy one to solve. It will require patience and commitment. I see it not as a Problem…but as an opportunity. We can add thousands of jobs by putting together task forces and work crews to deal with our Moth problem. As your President, I will continue to call on Congress to spend whatever it takes to put an end to the Problem. Together, as a nation, We Will Stop The Moths!!!”
The Problem of the Moths, now entering its 12th year, was a major issue Herrera used to help defeat Republican President Leland Jackson in 2036, but Americans have seen little improvement. However, as of right now, voters seem to be willing to look past the issue in this election. In a recent RGE Poll, 72 percent of Americans think that The Problem of the Moths will not hurt Herrera’s re-election prospects. Still, some Americans are wary. “He’s had 4 years to fix it and it isn’t getting any better!” shouted a Republican protestor in a moth costume arrested out in front of the Convention. If the Problem doesn’t improve between now and November, the voters might just have a change of heart.
Review As Revelation: A Call To Arms
Posted in Pointless Music Reviews, Pointyheaded Highbrow Stuff, The Poetry of Death on June 27, 2011
“children guessed (but only a few and down they forgot as up they grew)”
-ee cummings
The music review has been pronounced dead in many quarters. Some say it has lost its relevance, some argue it no longer has a story worth telling. I think there is some truth to this idea. There is a formula for a standard review and it is tried and true. A few strong metaphors, a band comparison or two, a reference to earlier work and the albums place within its genre and you’ve got a review. This is not to demean much of the writing that is out there. There are some truly exceptional writers who can take the standard form and make it deeply engaging, but there are a lot of reviews out there that simply don’t make an impact on me. I don’t believe that this is the fault of the writers but rather the fact that the medium they are using has confined its creator to the narrow world of observing and reporting. I think it is fair to say the music review as pure informational medium is probably on its last legs. While I believe that its role as informer of music fans is ending, I believe that it is in the process of going in a bold, exciting new direction that can make it relevant again and even an art form of its own.
Audiences no longer want to be informed, they want to be involved. They are not just looking for information about a band; they are looking for a deeper understanding of what it is like to experience the music. Audiences want to connect to the music, not just read about it. The dramatic shift that I believe is taking place is moving the review away from being about the artist and towards about the experience the artist has created.
The star of the review is no longer the band, but the audience as voiced by the writer. The goal of the writer used to be to melt into the background and let the band be heard. Objectivity was a characteristic to be aspired towards. The idea of the writer as passive communicator no longer has a major place in the all-at-once culture of engagement that we live in. More and more, the writing I see is coming to reflect this truth. The writer, no matter how much he or she tries, is a subjective creature. This is not a liability. The experience had by the audience is, in my opinion, the single most interesting thing about music today.
Director Jean Luc-Goddard supposedly once said the only way to review a movie is to make a movie. To me, this is a near perfect description of that the type of writing that will move the review to its next level. The review itself is an act of creation. A review can exist nearly independent of the original material. It can be a story unto itself that uses its source material as a beginning step into a labyrinth of unbridled creativity. A review can mark a unique moment in time, the moment when the artist meets the audience. Inspiration transfers from musician to writer and a new world is created. This world would not exist without the musician but it has transcended the original idea and morphed into something beyond its original intent. When the writer simply describes, it short-changes the audience of the revelatory power of the music. What has the music awakened within you? What did you see? What did you find? What did it genuinely make you feel? Instead of a medium that narrows the experience, a review can be something that becomes more than what was originally intended expanding exponentially through each person it comes into contact with.
In order to achieve this the writer must shun the formula and go beyond. The review need not be constricted by anything, even words. It can be photography, painting, sculpture, and maybe even more music. It must be an original statement of experience. A confession. That is its only qualification. It may present itself in a form that may be at times incoherent, but sometimes visions are not easily explained or understood.
The label often placed upon this type of creation is self-indulgent. There is an unwritten rule that good writing must purge the self as much as possible and fit neatly the pantheon of writing that came before it. What that really means is that in order to truly create we must forget who we are. This is insane. The unedited self, allowed breaking free of the artificial covenants that chain it to the floor, is capable of bringing a new vitality to a stilted form of expression. Imagine six billion selves illuminated, simultaneously witnessed and witnessing, all expressing unique shades of humanity and learning in fullness what it is like to human from every possible angle. This is what music reviewing can be.
Bowling For Danzigs
Posted in General Weirdness on June 23, 2011
On some level, we are all Glenn Danzig. I’m not really sure what on earth that means, but it seems like a fair enough way to start this weird monstrosity I’m about to write. Spending a good amount of time on social media sites tends to warp one’s mind a bit. Ideas that would have made Howard Hughes blush start to seem quite normal. All right, enough with this intro….I’m just going to come out and write it…I have spent the last three days of my life trying to become friends with every single person on Facebook who claims to be Glenn Danzig.
I’ll admit, this is a bit strange. I want to be clear that I am not cyber-stalking Danzig himself, simply people who claim to be him. The Internet allows for the human identity to be hidden or warped in many unique ways. How many of us are completely who we claim to be? However, claiming to be Glenn Danzig is a whole other thing. Why would hundreds of people claim to be Glenn Danzig online? Hundreds! I need to know! According to the Tyranny of Tradition Research Department, there are now fake Danzigs on four continents. The spread of fake Danzigism is reaching nearly epidemic proportions.
A terrible thought runs through the back of my mind every time I see a fake Danzig on Facebook. I worry that they may not, in fact, be fakes. Is there some sort of virus spreading throughout the world that converts normal citizens to bloodthirsty Danzig clones? What if these are people who died while listening to Her Black Wings and, somehow, the spirit of Danzig leaped into their bodies turning them into Danzig Zombies? Is there some Boys From Brazil type mad scientist who does nothing all day but take Danzig DNA off of fishnet he wore on the Blackaciddevil Tour in the hopes of creating an army of Clone Danzigs with X-Men type powers? What if these Danzigs have already been created and are marshaling their forces for a full-scale assault on Western Civilization? Indeed, with technology all things are possible.
Another unique aspect of the Internet is that weird people are able to communicate with other weird people that they might have never met. My internet friend Kelly from Canada and I have parlayed our mutual fake Danzig obsessions into a once in a lifetime event….DANZIG BOWL I.
Basically, we are competing to see who can collect the most fake Danzigs by Sunday July 17th at 7:00 PM. I’m not really sure what we plan to do with them. I am all for the idea of putting them in a Thunderdome style cage and having them fight for faux-Danzig superiority. Maybe the real Danzig would let the winner come up on stage and sing London Dungeon or something cool like that. Maybe the real Danzig will read this and get an immediate restraining order against me. I’m going to bet the second is more likely.
One of the great aspects of this event is the preparation. We have actually discussed whether Glenn Anzalone Danzigs should be counted. Anzalone is, as most deeply committed fans know, his proper birth name. This is a critical structural matter because it means that an additional 12 Danzigs are then in play. Then, there is the issue of poorly committed Danzigs. Should a person who uses their personal picture of themselves or no picture at all but still uses the Danzig name count in the final tally? I believe in a pluralistic approach to fake Danzig stalking. It doesn’t matter if you use your picture or no picture or a picture of a Christmas ham, if you use the name, you are a Danzig at heart. Even that fake Danzig with no picture whose entire profile simply says “Glenn Danzig, Indiana State University” can be included. Just in case you are curious, I am currently trailing Kelly 5 to 4. I had a 5th Danzig but I think I may have scared him off.
I have some pretty major plans after Danzig Bowl, win or lose. I’ve thought of creating a Facebook account as Glenn Danzig and only being friends with other fake Danzigs. We could set up a support group for bogus Danzigs dealing with issues that might plague people who pretend to be Danzig online. We could band together and throw our support to political candidates who support Danzig worthy causes and boycott all non-Danzig friendly businesses. My big dream is that there will be a day where for one whole 24 hour period everyone on Facebook changes his or her name to Glenn Danzig. Kind of like in Spartacus. I admit, it’s a strange dream, but then so is drowning in orange juice while being laughed at by forty mutant clowns wearing Richard Nixon masks.













