When 49-year-old Charlie Ronce first heard Dokken’s seminal metal record “Tooth and Nail”, he knew loved it. Now, thanks to a 5-4 decision by the United States Supreme Court, he has the right to marry it.
As predicted by conservative pundits and politicians, the Supreme Court’s decision to allow gay marriage has opened the floodgates to all sorts of marriages between men and inanimate objects. In Paraphiliacs United vs. Cleaver, the court ruled that Ronce and any other depraved weirdo can do whatever the hell they want, anytime they want, to anything to they want without facing any repercussions whatsoever.
Justice Anthony Kennedy wrote the landmark decision, which has cleared the way for an orgy of godless, disgraceful acts that will bring a quick, painful end to the existence of the United States of America. “No love is more profound than the love of a man for whatever gets him off. Now, go do whatever sick, disgusting stuff comes to mind without regard to decency or hygiene. It is so ordered,” wrote Kennedy in words that will forever embolden perverts everywhere.
Ronce’s courtship of “Tooth and Nail” began when he purchased the album at a Sam Goody in Yonkers, New York in 1985. He casually dated the album at first, still having relations with other albums including Kix “Blow My Fuse” and Sleeze Beez “Screwed, Blued and Tattooed”. However, by the 1990s, he found himself connecting to “Tooth and Nail” on a spiritual level and wanted to demonstrate his deep, abiding commitment to it.
He proposed to his copy of the album on a trip to Hawaii in 1994 after Don Dokken himself autographed it in the Honolulu Airport. Ronce then began his mission to have a court somewhere in America sanction his fetishistic love of the record. Today, his struggle for the right to do something that no sane person would really ever bother trying to do has been validated.
Conservative Justice Antonin Scalia wrote a scathing dissent, but was unable to read it because police detained him after he leaped across the bench and lunged at Justice Kennedy’s throat with a penknife. Scalia’s opinion contained nearly 50 references to the story of Sodom and Gomorrah, talked at length about how much he hated the song “Just Got Lucky” and ended with the words “Drop The Bomb – Exterminate Them All!” scrawled in blood at the bottom of the page. Scalia was released later in the day on his own recognizance.
While many may have been taken aback by the recent news that Apple’s new streaming service “Apple Music” will not be paying its artists during its three-month pilot period, and shocked by the announcement that they’ll now be paying artists a voucher for a free Denny’s Grand Slam per 10 million streams, and were perhaps even more uproarious about the more recent announcement that the 500 least-streamed artists on this platform will be hunted and killed by Apple’s patented T-800 robots at the end of the three-month trial, even those with the most disdain for the multi-billion dollar monolith were on their knees in worship at the reveal of their newest feature, the memory-wiping “Unlisten”.
Inspired by Google’s new feature, “Unsend”, which allows users to recant emails after sending them, Apple Unlisten’s open beta launched last Sunday, June 21st. Those who sign up for the “Unlisten” open beta will have access to an extensive database of every single song and artist they’ve ever listened to in their life, and, at the click of a mouse, users will have the ability to have any song they’ve ever listened to wiped from their memory, erasing any catchy lyrics, instrumentation, and fondest childhood memories of the dear friend that turned them onto the song that may still be lingering in their head.
“We thought it’d be a great idea,” Apple Music CEO Craig Jonas said in a press release. “One of my colleagues came into the office one day and said, ‘Man, did you hear that new Shinedown single? Man, what I wouldn’t give to unlisten to that monstrosity.’ We just stared at each other in amazement at the idea we had just birthed.”
“While we probably shouldn’t be surprised by how easily our users have been willing to give up their social security number, credit card information, name of their hometown, brain scans, and a strand of their hair for us to be able to acquire this information about them, like damn, just how much do these people trust us?”
Listeners have voiced their unanimous excitement at this innovative new feature.
“I think it’ll come in handy,” says Andy Johnston, 20. “Now the next time one of my douche friends links me the latest Rebecca Black song on my Facebook timeline, I can know that I can listen to it without being left with battle scars.”
“I’m absolutely thrilled,” Mark “The Bloodied” James, 27, told us in between his daily animal sacrifices. “Now all my fellow metalhead friends can’t shame me for liking that latest Charli XCX album, because now thanks to Unlisten, I can just forget that that album ever existed.”
We recently reached out to Mark again for further comment after testing Apple Unlisten, and his paranoid, stammered-out response simply went, “Who are you? Who am I? What have you done to me?”
(contributed by guest correspondent Jess Casebeer from Northwest Music Scene)
Former Morbid Angel drummer and vocalist Mike Browning has rejoined and since left Morbid Angel, according to a press release earlier today. Browning’s lasting contribution to the death metal group was his appearance on the band’s shelved first album, Abominations of Desolation, which was subsequently released after Altars of Madness.
“It was really great to be back in the fold for 10 hours,” stated the drummer, “but it was clear that financial and creative differences were untenable, and I cannot participate in Morbid Angel any longer.”
In a dispatch from the Morbid Angel camp, Trey Azagthoth said, “We really appreciate Mike’s efforts in the band, and we hope that he finds success in his future endeavors.”
At press time, former drummer Wayne Hartsell was spotted heading into Morbid Angel’s studio for an audition.
Iron Maiden set the metal world ablaze this week by releasing the cover art from their soon-to-be-released double album “Book of Souls”. While many fans of the band were impressed with the artwork, some were surprised to learn that Eddie’s new look is based on James Franco’s performance as the drug dealing hooligan known as Alien in Harmony Korine’s 2012 film “Spring Breakers”.
Some die-hard fans of the band were angered by the Maiden’s unwillingness to bring back Derek Riggs to create the new cover. Protests were planned in 12 major American cities on Saturday to bring back Riggs. However, much of the uproar died down and the protests were cancelled when it was discovered that legendary street artist and 2014 Hipster Hall of Fame honoree Banksy created the new Eddie.
When asked about Eddie’s new crunk-for-2015 look, the band spoke about how the watching “Spring Breakers” launched them in a new creative direction. While the band says many of the tracks are the classic, straight ahead Iron Maiden you would expect, don’t be surprised if you hear a little of what Dave Murray cryptically referred to as “Dem Ruskin Arms Trap Beatz” on the new record. The band has even hinted at collaborating with Yung Jeezy on a crossover song tentatively called “Trap Somewhere in Time”.
There have also been rumors swirling around the Iron Maiden camp that “Book of Souls” is actually a concept album in which a mad scientist fuses Eddie and Alien’s DNA to create a new creature, known as “Crunkenstein”. The monster goes on a wild rampage through St. Petersburg, Florida during spring break searching for the one thing necessary to his survival, the souls of methheads. Unable to find any that hadn’t already been sold to Satan, Crunkenstein lays on the beach and spends his last moments alive singing an eleven minute power ballad about the life of Aliester Crowley.
Franco, meanwhile, was unable to be reached for comment. He is currently somewhere in the mountains of Guatemala working on a new book of poems titled “Roses Are Red, Violets Are Blue: Meditations On Things I Was Thinking About While Watching Full House” that is set to be released sometime next year.
Founding guitarist Trey Azagthoth announced today that he is parting ways with death metal titans Morbid Angel. The news follows in the wake of the dissolution of the current lineup, with bassist/vocalist David Vincent, drummer Tim Yeung, and guitarist Destructhor all dismissed by Azagthoth. Now the only continuous member in Morbid Angel’s nearly 30-year run plans to depart as well.
“The situation in the band has become untenable, with musical and financial considerations remaining unresolved. I can no longer commit to participating and performing in this fashion,” stated Trey, “I wish [returning bassist/vocalist] Steve Tucker the best with Morbid Angel, and I am looking forward to new endeavors of my own.”
At press time, sole remaining member Steve Tucker is sitting in front of his computer with a stunned expression and his mouth hanging open.