Posts Tagged Gorguts
The Ten Best Metal Songs To Play When At A Fast Food Drive-Thru Window
Posted by Keith Spillett in The One Time I Left The House on December 5, 2013
There are many hidden pleasures in being a metalhead. That moment where you start talking to a stranger and realize he actually knows that Peter Steele was in Carnivore before he was in Type O Negative. The moment where you are at the gym and you see a person on the workout machine next to you wearing a Carcass Heartwork tee-shirt. That feeling you get when you are watching a bad, 1980s made-for-television movie about high school and notice one of the extras wearing a jacket with a giant Nuclear Assault patch on the back. You’ll meet a ton of people throughout your life who think metal is nothing more than bad hairstyles, ripped up jeans and “Enter Sandman”, but that moment when you really feel the presence of another member of our bizarre little community is truly a compelling experience.
There is another type of joy that being a metalhead can produce. Very few things are as invigorating as the feeling of completely freaking out unsuspecting strangers with your music and all of the insane, preposterous imagery that surrounds it. A bunch of senior citizens walk by you in the mall. They notice you rocking that vintage Cannibal Corpse “Eaten Back To Life” shirt and quickly avert their eyes. You imagine them wandering around Sears twenty minutes later muttering about how society is in the brink of collapse and decrying the death of all that is sacred and humane.
I’ll admit, it’s a bit of a cheap thrill, but there are some days that this sort of savage and surreal amusement can fill you with a genuine zest for life. Over the years, I’ve learned how to create and actively seek out these sorts of situations. I’ve experimented with many different methods of achieving this sort of “gore-vana”, in some cases with disastrous consequences. However, the one sure-fire place I know I can count on creating a minute or two of total metal-induced awkwardness and not be forced to spend an evening in the county lock-up is at the drive-thru window at fast food restaurants.
You drive up to the window with the first track of Suffocation’s “Effigy of the Forgotten” (Liege of Inveracity) booming through your speakers. The person working there has probably spent most of the day having their humanity completely ignored or, even better, being scolded by vengeful, self-righteous morons deeply scarred by the fact that two weeks ago the Wendy’s forgot to include packets of ketchup with their Value Meal. They are in that mode we so often see in consumer cultures, where the employee is simply treading water in the hopes of surviving the low wages and disrespect that are supposed to one day connect them to that shining pot of gold that politicians and suckers like to refer to as The American Dream.
Then you come along, blasting Frank Mullen’s doglike vocals and Mike Smith’s demented blast beats. That blank stare quickly changes into an expression of total confusion. What sort of person listens to this madness on purpose? Is this person a psychopath who feeds on the blood-curdled screams of the children locked in the trunk of his car? What does this unshaven weirdo hear in this music that I can’t?
You are the great and frightening Other. The Alien. The one who awakens them from their post-capitalist, slumbering nightmare for a brief second in order that they have something to post about on Twitter before they collapse into the awful sameness of reality television and quiet rage.
Over the years, I’ve accumulated a few songs that I believe are perfect for these moments. If you are having a boring afternoon and want a little more adventure in your life, try blaring one of these the next time you are picking up a cheeseburger. (For added effect, wear corpsepaint and sing along loudly and off key)
10. Anything From Gorguts-Obscura. I say anything because, as much as I love that album, I have no idea of the difference between any of the songs. (This also applies to most pre-2000s black metal)
9. Vader-Decapitated Saints. Those fast, indecipherable vocals are great, particularly if you are able to bug your eyes out and work up one of those Charles Manson looking stares.
8. Misfits-Bullet (Before you start whining about the whole it’s not metal, it’s punk thing, please understand that I find that conversation almost absurd and pointless as listening to someone describe how to properly prepare hog maws) The lyrics from this one are bound to at least elicit a smirk from your mark. Particularly when you get to the part where he starts saying, well, you know….
7. Slayer-Altar of Sacrifice. This one is a bit tricky. It involves timing. If you can manage to have Araya bellowing “Enter To The Realm of Satan!!!” right as you are presented with your jumbo-sized Diet Coke, you will achieve maximum effect.
6. Metallica-Creeping Death. Same as above except you need to sync it up with “DIE…BY MY HAND!!!”.
5. Suffocation-Liege of Inveracity. We’ve discussed this.
4. Manowar-Black, Wind, Fire and Steel. It’s not the most intimidating song on this list by a long shot, but something about that note Eric Adams holds for a half an hour at the end of the song really works for the situation.
3. Cannibal Corpse-Hammer Smashed Face I’ve tried many different options when it comes to inducing Cannibal Corpse freakouts, but for my money, this is the one that produces the most terror.
2. Morbid Angel-Hatework Part 70s horror film score, part growl from the depths of Hell, this song has a way of leaving lasting scars on the uninitated. For years, I used the last three minutes of God of Emptiness, but this seems to make more of an impact.
1. Deicide-Dead By Dawn This song, by far, has gotten me the most perplexed, stupefied looks. Glen Benton isn’t good for much, but making some high school wage slave drop a Frosty all over the register is an area in which he excels.
FDA Approves Use Of Arsenic To Treat “Heavy Metal Dependence”
Posted by Keith Spillett in General Weirdness on November 13, 2013
You’ve probably seen them before. Unshaven, lacking in basic dental hygiene, often having so-called “long hair”, clad in tee-shirts with pictures of murder, cannibalism and other anti-social acts condoned by some the leaders of our secular government. This horde of axe-wielding maniacs and welfare recipients often refer to themselves as heavy metalheads and listen to bands with names like Gorguts, Bestial Walrus and Pungent Stench. Some heavy metalheads listen to as many as seventeen hours worth of this music per day while participating in acts self-mutilation and animal sacrifice. But now, there is hope.
In an attempt to cure these poor, wretched people of their dependence on this vile assault on good taste and middle class sensibility, the FDA today approved the use of arsenic in an attempt to treat what doctors have referred to as “heavy metal dependence”. The term, first coined by Tipper Gore’s personal physician Dr. Sigmund Rascher, has been diagnosed in 3 percent of America’s youth and, if left untreated, can be fatal.
In clinic trials, arsenic, when administered in large doses and coupled with strychnine, a natural herb recently approved by the FDA to fight inefficiency in the workplace, has been nearly 100 percent effective in curing heavy metalheads of their disorder. Mikey Melanoma, bass player from the band Malignant Cataplexy, recently emerged from his coma to talk about the powerful impact this new wonder drug has had on his life. “I used to listen to Obituary, Death, Morbid Angel, Slayer…whatever I could get my hands on. Now, all I really want to hear is soft piano music or the calm, soothing voice of my nurse bringing me apple juice. I’m cured.”
Some concerns have been raised by doctors about the use of arsenic in treating heavy metal dependency. Patients have reported blotching and severe skin rashes right before they slip into eternal slumber. However, applying doctor prescribed topical ointments usually clears this up within 24 hours. In spite of the side effects, the FDA stressed that arsenic is all natural, thus completely safe.
More help may be on the way next year. The FDA is looking into special carbon dioxide masks that can help those averse to swallowing pills. Special behavioral enhancement chambers are even being designed to cure hundreds of heavy metalheads at a time though the use of the carbon monoxide treatment. Also, special behavioral modification chairs are being designed to zap thousands of volts into the brains of the afflicted in order to help them become less of a drain on the millions of taxpayers who support these disease-bearing mongrels.
Gorguts to Guest Star On Thursday Night’s Episode of The Honeymooners
Posted by Keith Spillett in General Weirdness on June 26, 2012
They are Canada’s favorite technical death metal band and now they are set to appear on CBS’ hit television show The Honeymooners. Gorguts, those wild and crazy Quebecean death metallers who burst on the scene in 1993 with their Top 40 hit “Orphans of Sickness”, will become the first band ever to appear on the show. Honeymooners star Jackie Gleason is a huge fan of the band who claims to have listened to the album Obscura over 400 times in a row when it was released. Gleason, who became a fan when Considered Dead was released in 1991, said in a recent interview that no band he knows of “has been able to link the primal, bestial rage in the human soul with such profound, technical craftsmanship.”
The episode titled “Hey, Hey Luc Lemay, How Many Kids Did You Kill Today?” was filmed on Monday afternoon in front of a live studio audience. The story is thought to be one of the more experimental Honeymooners episodes, although by no means as surreal as the episode where Ralph Kramden and Ed Norton are trapped in the stomach of a moose.
It begins with a knock on the door from a shady, elderly man played by Sir John Gielgud, the elderly British actor known for his stirring performance as the butler in the movie Arthur. Gielgud introduces himself as “Luther” and hands Alice Kramden a box. He tells her she has three wishes once she opens the box, but should be careful what she wishes for.
After the man leaves, Alice and Ralph tear the box open only to find the paw of a monkey with a bow around it. Ralph holds up the paw and wishes for enough money to never have to work again. Suddenly, a box appears on their coffee table. Ralph opens it and is stunned by piles of hundred dollar bills. However, he is appalled to realize that in the box is also the severed head of his neighbor Ed Norton (played by the loveable Art Carney).
In spite of the beheading of Ed, they decide they are glad to have gotten the money and decide to make another wish. This time Alice holds the paw up and wishes that she could get the chance to see Gorguts live for the first time. Immediately, there is a knock on the door and the band appears. They run around the house smashing the furniture and throwing food at each other. Singer Luc Lemay knocks Ralph to the ground and tries to force him to swallow mustard until he chokes. Meanwhile, guitarist Kevin Hufnagel destroys Ralph’s favorite bowling trophy by attempting to play a solo from “Rottenatomy” using the trophy as a guitar pick. Finally, Alice has had enough. She holds up the paw and screams, “I wish Gorguts would go away!!!!!”
With that, the band disappears and the archangel Gabriel appears on top of the dining room table blowing his horn. Ralph, covered in mustard, launches into a recital of a Willie Loman monologue from Arthur Miller’s “Death of a Salesman” while Alice begins to grow a teeth out of the side of her face. The episode ends with Ed’s head rolling onto the floor and the entire cast, including the head, launching into an impromptu version of the song “Officer Krupke” from the musical West Side Story.
Gorguts appearance on The Honeymooners is not the first appearance of a metal band on a major television show. Who could forget the time Anthrax rocked out on Married With Children? Or the time Immolation played “Into Everlasting Fire” with Ricky Ricardo’s band on I Love Lucy? Gorguts’ appearance on The Honeymooners is certain to rank as one of the most entertaining and important moments in television history.
The Tyranny of Tradition 