Posts Tagged obituary
Heavy Metal Music Guitarist James Murphy Has The Power To Heal Seals!!!
Posted by Keith Spillett in General Weirdness on October 1, 2014
Famed metal music guitarist James Murphy has a surprising new gig!!! After years of playing music dedicated to the worship of evil in all its forms, Murphy has become a Seal Healer. He’s currently saving the lives of hundreds of sick seals at Tampa’s famed marine mammal park SeaWorld. Murphy, who is himself a mammal, has been responsible for over 239 spiritual healings since his return from a Tibetan ashram last fall.
Murphy, who is best known for his work in Obituary, Disincarnate, Cancer, Konkhra, Testament, Agent Steel, Aggressor, Artension, Abigail Williams, Death, DAATH, Firewind, Gorguts, Malevolent Creation, Nevermore, Solstice, Vicious Rumors, Captain and Tenille, Cancer, Mitch Ryder and The Detroit Wheels, Count Basie and His Orchestra, The Oakland Raiders, Robocop, George McGovern’s failed 1976 Presidential Campaign, the Russo-Japanese War and Broken Hope, was hired by Seaworld after he gave mouth-to-mouth resuscitation to a Hump Back Whale named Shalamar during an August visit to the park.
After Murphy’s heroic moment, SeaWorld discovered that he was a man of uncommon abilities, able to rescue seals from certain death using a bizarre form of chanting and telepathy taught to him by famed monk and Las Vegas crooner Wayne Newton.
“James is a magician. He looks into their sad, wounded eyes and revives the spark of life within them. He is a Level 27 Cleric, a healer, a saver of seals,” said SeaWorld International President and CEO Toro Jublio.
Murphy, who was recently the recipient of this year’s Man of The Year Award from The International Ex-Seal Clubbers For Christ organization, has been quite humble about his accomplishments. “Really, saving seals is quite simple. I’d like to eventually work towards greater accomplishments like teaching advanced calculus to dolphins and instructing tuna fish on how to live happy, fulfilling lives without the need to be in water.”
Murphy plans on taking his Seal Revival show on the road this summer during his tour with the Italian disco-metal band Seventh Seal. The band will conclude each set with Murphy playing an instrumental version of Beethoven’s “Ode To Joy” while bringing a seal back from the dead. During the New York show at Madison Square Garden, he plans on reviving Stumpy, a Harbor Seal that died proudly serving his country during World War II.
Pig Destroyer plans to open for them during the North American leg of the tour.
Led Zeppelin Accused of Stealing Portions of Stairway To Heaven From Cannibal Corpse
Posted by Keith Spillett in General Weirdness on May 20, 2014
You may have never heard of the song “Hammer Smashed Face” by Cannibal Corpse, but apparently Led Zeppelin has.
According to recently released phone recordings of Jimmy Page talking to Zeppelin vocalist Robert Plant, the two conspired to steal the opening riff from “Hammer Smashed Face” and put it in their legendary song “Stairway To Heaven”. Page, who studied the art of transcendental time travel in an ashram in Northern New Jersey in the early 1960s, allegedly leaped ahead in time in order to find inspiration for Led Zeppelin IV.
While in the year 1994, he astrally projected himself into a movie theater in order to watch Jim Carrey’s comedy classic “Ace Ventura: Pet Detective”. While watching Cannibal Corpse’s bizarre cameo in the film, he came upon the opening riff from “Hammer Smashed Face” and a rock’n’roll epic was born. Moments later, he teleported his soul to a local Sam Goody where he purchased “Tomb of The Mutilated”.
When Page returned, he played the song over the phone to Plant. The two were in the studio in a matter of hours. The rest is history.
“If you listen to the two, the similarities are obvious,” said metalhead attorney Butch Carnage. “It’s not just the guitar parts either. The blast beats are even exactly the same. Who do these guys think they are kidding?”
This is not the first time a metal band has accused Led Zeppelin of plagiarism. In 2009, Obituary charged that Zeppelin lifted a portion of “Chopped in Half” to create the song “D’yer Mak’er”. Texas death metallers Devourment have claimed that the song “Whole Lotta Love” is practically a carbon copy of “Parasitic Eruption” off of the album “Conceived In Sewage”. Nuclear Assault has also alleged that Zeppelin covered “Good Times, Bad Times” on Led Zeppelin I without properly crediting them.
We tried on several occasions to contact members of the band to get their comment. We even went so far as to hire a psychic medium to conduct a séance in order to speak with the spirit of drummer John Bonham. However, the band has yet to make a public statement on this brewing controversy.
Help Us Raise $250,000 Dollars For Bolt Thrower to Play My Daughter’s Birthday Party
Posted by Keith Spillett in General Weirdness on August 5, 2013
We have always been a Bolt Thrower family. Many of our happiest, most memorable times have been spent listening to their music. Whether it was me soothing my son on his first trip to the dentist by playing him all of “In Battle There Is No Law” or my wife and I making the long car trips from Atlanta to Minnesota go by quicker by singing “Cenotaph” with them, Bolt Thrower have almost been like relatives. This is why, on my daughter Jo-Anne Bench Spillett’s sixth birthday, we’d like to hire Bolt Thrower to play the party.
However, as you probably have figured out, hiring a death metal band to fly from England to Atlanta to play can be expensive. My wife and I talked about how to make it happen financially, but short of working nine more jobs and selling the platinum grill I had made during my brief rap career, it didn’t seem affordable. Enter the miracle that is Kickstarter! We have seen several projects from a Veronica Mars movie to an Obituary album to a nose job for Sebastian Bach all get funded this way. Why couldn’t our dreams come true as well?
Therefore, I am proud to announce that The Tyranny of Tradition will be starting its first Kickstarter campaign to raise $250,000 dollars to get Bolt Thrower to play my daughter’s 6th birthday party on November 22nd. Sure, $250,000 is a lot of money, but I want to assure each and every one of you that each and every penny will be put to good use. In the spirit of transparency, here is an itemized list of what the money will be used for.
Band Compensation $25,000
Bolt Thrower is a legendary band and they won’t come cheap. Being metal legends, they deserve to be well compensated for their time. They will, of course, be responsible for their own airfare.
While we’d love to have them in our home for a one-time, special birthday concert, the wife and I are not particularly keen on letting them stay in our house overnight. We live in a gated community with an extremely active homeowners association. I’m not sure they would be willing to tolerate Baz Thomson walking out at 7 o’clock in the morning holding a Miller Lite and wearing nothing but his boxer shorts to get the newspaper. Let’s face it, they are kind of, well, dirty looking. Not any more than most metal bands, but certainly not the type of people we necessarily want the neighbors to see us with. They’ll fit in fine at the Super 8 motel out in Snellville.
According to the City of Atlanta, I’m not technically allowed to have a death metal band play in my backyard without a permit. Because of the potential noise and disruption, several local city officials have told me that it will be impossible to get a permit for the event. The $20,000 will be used to bribe the necessary City Council Members needed to get us the permit or, in case they are unwilling to be bribed, to hire a private investigator to dig up humiliating blackmail information on them.
Instead of hiring one of those costly, pretentious professional security companies, I have contacted a local motorcycle gang, known as The Disciples of Satan, to make sure that things don’t get out of control. Not only will they be tasked with crowd control, they will need to go door to door in the days leading up to the concert and threaten my neighbors with violence or the potential kidnapping of their children should they complain to the police about the noise or lack of available parking. The Rolling Stones used a similar approach to security with great success.
Home Renovations: $80,000
Our home is simply not ready for a concert of this magnitude. The backyard will need to be equipped with arena style seating, a stage and adequate bathroom facilities for the 10 or 20 children that will be attending. Also, a hot tub will need to be added overlooking the backyard in order to allow me to help loosen up my back from moving furniture to ensure the children don’t break anything if they wander into the living room. We will also need to add marble countertops in the kitchen and a new family room in order for us to spend quality time together.
Opening Bands: $10,000
Bolt Thrower is an older band who probably can only do a one hour set without risking collapse. Most parents expect these parties to go 2 to 3 hours. So, the show will feature several talented local bands including Spectrecide, Butter Knife Appendectomy, and Dysrythmic Sphincter Valve who will perform while the kids are playing party games like Pin the Murder Rap on Randy Blythe.
Live Pokémon Characters: $5,000
Besides old school death metal, both of my young children love Pokémon. What would make them happier than if people dressed in Pokémon suits came out during Bolt Thrower’s set to really get the pit moving? We’d have Snorelax, Charazard and even, during the encore, a visit from the one and only Pikachu.
It’s amazing how many things need to be rented or purchased outright in order to make something like this work. Lights, speakers, smoke machines, animal parts to be tossed into the crowd, a cake, and goodie bags filled with Bolt Thrower merchandise can really add up.
Remaining Money For Personal Compensation: $87,000
This is America. No one works for free. My wife and I plan on working hard to make this day very special for our little girl. Thusly, our effort should be rewarded in the form of monetary compensation for our time and labor.
Hopefully, this campaign will raise the funding necessary to make my daughter’s birthday a day to remember. If it is successful, this is only the beginning. I am already in the planning stages of several possible Kickstarter campaigns including a $300,000 campaign to stop Megadeth from making another album, a $5 million dollar drive reanimate Dio and a $250 million dollar fundraiser to take over the nation of Botswana and declare it a Heavy Metal Republic. So, take a moment of your time and help us to make November 22 the best 6-year-old birthday party ever. You’ll be glad you did.
H.L. Is Not Other People
Posted by Keith Spillett in Existential Rambings, The Politics Of Catastrophe on January 3, 2011
If H.L. Mencken is not the greatest American writer, he is certainly its most cruel. With a few strokes of the pen, this one-man wrecking crew was able to annihilate ideas, beliefs and people. He had little love for misconceptions that paraded as truth. He was at his best when he was demolishing strongly held beliefs that wilt under the light of reason.
Mencken had a special place in his dark heart for mauling politicians who he believed to be demagogues. He seemed to particularly enjoy berating William Jennings Bryan. Bryan, the renowned Congressman, three time Presidential candidate and Secretary of State under Woodrow Wilson, was best known for his vehement attack on the teaching of evolution in public schools during the Scopes Monkey Trial. The trial was an embarrassing end to Bryan’s career and he died soon after.
Upon Bryan’s death, Mencken wrote a truly intriguing column. It was one of the most vicious, malevolent pieces of writing ever published and it was an OBITUARY. Usually, death is something that would make even the most cynical of writers call off the dogs, but not Mencken. He proceeded to desecrate the corpse of Bryan with a stream of invective that is legendary for it’s sheer mercilessness.
Upon reading the piece, many readers are left with two feelings. The first is that Mencken’s writing is incredible. His epic prose shows the pure buffoonery exhibited by Bryan in a way that is both frightening and hysterical. The second is a feeling of disgust. Should Mencken really have been attacking a dead man in this way? Obituaries are often read by friends and family who are mourning the passing of someone dear to them. A reader could easily walk away with the feeling that the world is better without Bryan and that his passing is something to be reveled in. Mencken was stating what he believed to be true. He was being honest in a way that is almost brave. He is not only attacking Bryan, but also the social custom of allowing the recently dead to be exonerated for the way they lived their lives. However, his words could easily have led to untold suffering and misery.
The question of what sort of limit should be set on the amount of pernicious rage that a writer should exhibit is not an easy one to answer. Sometimes it feels like saying the worst possible thing is the correct action. Language can be a weapon that teaches ignorant people to keep their mouths shut. There is a certain beauty in that. There is also a liberating feeling in calling the thing what it is with no restraint. This sort of rage can also be a weapon that causes irreparable harm. We are all humans who, at times, can say and do highly unenlightened things. Should we be ruthlessly punished for each mistake we make? Should we be tormented for living ridiculous lives based on senseless beliefs? Will this sort of brutality teach us to be better people? I’m not sure, but I think the Mencken piece allows us to ask this question and for that reason it is a highly valuable thing. Plus, it’s really, really funny.
Originally published in The Baltimore Evening Sun July 25, 1925
William Jennings Bryan
It was plain to everyone, when Bryan came to Dayton, that his great days were behind him — that he was now definitely an old man, and headed at last for silence. There was a vague, unpleasant manginess about his appearance; he somehow seemed dirty, though a close glance showed him carefully shaved, and clad in immaculate linen. All the hair was gone from the dome of his head, and it had begun to fall out, too, behind his ears, like that of the late Samuel Gompers. The old resonance had departed from his voice: what was once a bugle blast had become reedy and quavering. Who knows that, like Demosthenes, he had a lisp? In his prime, under the magic of his eloquence, no one noticed it. But when he spoke at Dayton it was always audible.
When I first encountered him, on the sidewalk in front of the Hicks brothers law office, the trial was yet to begin, and so he was still expansive and amiable. I had printed in the Nation, a week or so before, an article arguing that the anti-evolution law, whatever its unwisdom, was at least constitutional — that policing school teachers was certainly not putting down free speech. The old boy professed to be delighted with the argument, and gave the gaping bystanders to understand that I was a talented publicist. In turn I admired the curious shirt he wore — sleeveless and with the neck cut very low. We parted in the manner of two Spanish ambassadors.
But that was the last touch of affability that I was destined to see in Bryan. The next day the battle joined and his face became hard. By the end of the first week he was simply a walking malignancy. Hour by hour he grew more bitter. What the Christian Scientists call malicious animal magnetism seemed to radiate from him like heat from a stove. From my place in the court-room, standing upon a table, I looked directly down upon him, sweating horribly and pumping his palm-leaf fan. His eyes fascinated me: I watched them all day long. They were blazing points of hatred. They glittered like occult and sinister gems. Now and then they wandered to me, and I got my share. It was like coming under fire.
II What was behind that consuming hatred? At first I thought that it was mere evangelical passion. Evangelical Christianity, as everyone knows, is founded upon hate, as the Christianity of Christ was founded upon love. But even evangelical Christians occasionally loose their belts and belch amicably; I have known some who, off duty, were very benignant. In that very courtroom, indeed, were some of them — for example, old Ben McKenzie, Nestor of the Dayton bar, who sat beside Bryan. Ben was full of good humor. He made jokes with Darrow. But Bryan only glared.
One day it dawned on me that Bryan, after all, was an evangelical Christian only by sort of afterthought — that his career in this world, and the glories thereof, had actually come to an end before he ever began whooping for Genesis. So I came to this conclusion: that what really moved him was a lust for revenge. The men of the cities had destroyed him and made a mock of him; now he would lead the yokels against them. Various facts clicked into the theory, and I hold it still. The hatred in the old man’s burning eyes was not for the enemies of God; it was for the enemies of Bryan.
Thus he fought his last fight, eager only for blood. It quickly became frenzied and preposterous, and after that pathetic. All sense departed from him. He bit right and left, like a dog with rabies. He descended to demagogy so dreadful that his very associates blushed. His one yearning was to keep his yokels heated up — to lead his forlorn mob against the foe. That foe, alas, refused to be alarmed. It insisted upon seeing the battle as a comedy. Even Darrow, who knew better, occasionally yielded to the prevailing spirit. Finally, he lured poor Bryan into a folly almost incredible.
I allude to his astounding argument against the notion that man is a mammal. I am glad I heard it, for otherwise I’d never believe it. There stood the man who had been thrice a candidate for the Presidency of the Republic — and once, I believe, elected — there he stood in the glare of the world, uttering stuff that a boy of eight would laugh at! The artful Darrow led him on: he repeated it, ranted for it, bellowed it in his cracked voice. A tragedy, indeed! He came into life a hero, a Galahad, in bright and shining armor. Now he was passing out a pathetic fool.
III Worse, I believe that he somehow sensed the fact — that he realized his personal failure, whatever the success of the grotesque cause he spoke for. I had left Dayton before Darrow’s cross-examination brought him to his final absurdity, but I heard his long speech against the admission of expert testimony, and I saw how it fell flat and how Bryan himself was conscious of the fact. When he sat down he was done for, and he knew it. The old magic had failed to work; there was applause but there was no exultant shouts. When, half an hour later, Dudley Field Malone delivered his terrific philippic, the very yokels gave him five times the clapper-clawing that they had given to Bryan.
This combat was the old leader’s last, and it symbolized in more than one way his passing. Two women sat through it, the one old and crippled, the other young and in the full flush of beauty. The first was Mrs. Bryan; the second was Mrs. Malone. When Malone finished his speech the crowd stormed his wife with felicitations, and she glowed as only a woman can who has seen her man fight a hard fight and win gloriously. But no one congratulated Mrs. Bryan. She sat hunched in her chair near the judge, apparently very uneasy. I thought then that she was ill — she has been making the round of sanitariums for years, and was lately in the hands of a faith-healer — but now I think that some appalling prescience was upon her, and that she saw in Bryan’s eyes a hint of the collapse that was so near.
He sank into his seat a wreck, and was presently forgotten in the blast of Malone’s titanic rhetoric. His speech had been maundering feeble and often downright idiotic. Presumably, he was speaking to a point of law, but it was quickly apparent that he knew no more law than the bailiff at the door. So he launched into mere violet garrulity. He dragged in snatches of ancient chautauqua addresses; he wandered up hill and down dale. Finally, Darrow lured him into that fabulous imbecility about man as a mammal. He sat down one of the most tragic asses in American history.
IV It is the national custom to sentimentalize the dead, as it is to sentimentalize men about to be hanged. Perhaps I fall into that weakness here. The Bryan I shall remember is the Bryan of his last weeks on earth — broken, furious, and infinitely pathetic. It was impossible to meet his hatred with hatred to match it. He was winning a battle that would make him forever infamous wherever enlightened men remembered it and him. Even his old enemy, Darrow, was gentle with him at the end. That cross-examination might have been ten times as devastating. It was plain to everyone that the old Berseker Bryan was gone — that all that remained of him was a pair of glaring and horrible eyes.
But what of his life? Did he accomplish any useful thing? Was he, in his day, of any dignity as a man, and of any value to his fellow-men? I doubt it. Bryan, at his best, was simply a magnificent job-seeker. The issues that he bawled about usually meant nothing to him. He was ready to abandon them whenever he could make votes by doing so, and to take up new ones at a moment’s notice. For years he evaded Prohibition as dangerous; then he embraced it as profitable. At the Democratic National Convention last year he was on both sides, and distrusted by both. In his last great battle there was only a baleful and ridiculous malignancy. If he was pathetic, he was also disgusting.
Bryan was a vulgar and common man, a cad undiluted. He was ignorant, bigoted, self-seeking, blatant and dishonest. His career brought him into contact with the first men of his time; he preferred the company of rustic ignoramuses. It was hard to believe, watching him at Dayton, that he had traveled, that he had been received in civilized societies, that he had been a high officer of state. He seemed only a poor clod like those around him, deluded by a childish theology, full of an almost pathological hatred of all learning, all human dignity, all beauty, all fine and noble things. He was a peasant come home to the dung-pile. Imagine a gentleman, and you have imagined everything that he was not.
The job before democracy is to get rid of such canaille. If it fails, they will devour it.