Posts Tagged Graveyard

The Sound of Joyous Suffering: A Retrophiliac’s Review of Horisont’s “Second Assault”

Listening to the new Horisont record “Second Assault” is an adventure in time travel.  You don’t simply listen to the record, you hurdle backwards towards it.  I am in a darkened, smoke-filled bar.  Twenty or so spectators in different states of inebriation hoot and howl arhythmically as the band spews molten rock’n’roll.  Half the crowd looks like Popeye Doyle, the other half look like Tuesday Weld.  A poorly dressed, ratty haired bunch of skinny kids reach into their chests and pull out their guts in the quixotic attempt to find a higher plane if even for a moment.  Their suffering is ours.

It’s an imperfect fantasy, mostly because of the smoke.  That itchy, uncomfortable feeling of unfamiliar scum clouding your vision.  Not knowing whether to choke or sneeze.  Somehow it doesn’t matter and it does.  Rock’n’roll itself comes with a bit of discomfort.  Loving it is a masochistic pursuit.  Horisont gets that in spades.  They explode everywhere, like a wayward roman candle knocked on its side.  They are dangerous, blistering and blood-fanged; they are the sweat in your eyes and the exhaustion of endless impossibility.

The 70’s reek of old carpet and cheap cologne.  The food isn’t nearly as good, the beer is almost always flat and no one seems to have air conditioning.  The world was a dark and foreboding place.  Nearly every worthwhile movie of the era ended with the protagonist getting his or her head blown off and the great forces of evil crushing the spirit of the individual.  Hope seemed ridiculous.  As they marched to the hangman, they wore a gallows cool on their sleeve that those living in the airbrushed, cleaner than clean, hyper polished new frontier no nothing of.  Horisont belongs there and not here.  When I hit play, I am there with them.

Occasionally, I hear a record where song titles don’t matter to me.  I don’t want to know what the tune is about, where it was recorded or who produced it.  I could care less about the album art and knowing the town where the band started playing is simply an annoyance.  I just want to hear the music.  Again and again.  When the album completes its long-winding journey to nowhere, I can think of nothing but finding the button that will make it start all over again.  For me, Horisont “Second Assault” is that type of album.

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Metamorphosis on Main Street: A Psychological Review of Graveyard’s “Hisingen Blues”

I started off trying to review Graveyard’s new album Hisingen Blues.  Things were going really well.  I had a neat little intro where I talked about their 70’s retro sound and compared them to a few bands.  There was a cool section where I discussed the driving intensity of their sound and compared them to a freight train.  It was going really well.  All that is gone now.  All that is left is chaos, despair and panic.  I’m sitting in my car in the parking lot of a Burger King fast food.  It’s 4:47 in the morning.  How did I get here?

I was writing the review at the kitchen table.  My wife and kids were playing in the other room.  In the distance, I heard the vaguely menacing sounds of Dora The Explorer.  My ears were much more attuned to magniloquent sounds of the song Hisingen Blues by Graveyard.  I’d listened to the album a few times, but kept coming back to the title track.  “WHERE IS THE FUTURE?!?!?!?!”

I was grooving to the song.  I closed my eyes.  The next thing I knew my wife was screaming.  “WHAT ARE YOU!?!!?!??!?!?  GET OUT OF HERE!!?!?!?!”

I tried to say “Honey, it’s just me.  Why are you screaming?”  But it came out “Kjqgjgnqrwlkgnjwqrngljnwrjlgnlg?”.  I sounded like the creature in the Predator movies when it tried to talk.  What was happening?

My wife picked up a broom and started hitting me.  “Stop it!” (“Njndgjlqwrnlgkn!”) The sounds that came out of me only made her more frightened.  I ran upstairs.  Suddenly, I started thinking about our cat.  I have to eat the cat.  I have to eat the cat.  I sprinted around the bedroom looking for the cat.  I thought of how good the cat would taste.  I have to eat the cat.  “WHERE IS THE FUTURE!?” echoed in my minds ear.  I need to eat the cat.  It would be so delicious.  I have to eat the cat. I looked under the bed, I looked in the shower.  I looked in the closet on my wife’s red sweater where it likes to sleep. All at once it occurred to me that we don’t have a cat.

I looked into the mirror.  What looked back at me was horrifying.  Green neck, green skin, pointy nose, scales.  I was…..a lizard!!!!!!!  Dear God….A LIZARD!!!!!!  I ran downstairs to try to explain it to my wife.  She had both of the kids in her arms and she was screaming into her cell phone.  “SDGASFHAFSHERJJET!” I pleaded.

“Get away you…..BEAST!  What have you done with my husband????”

My children’s eyes were filled with confusion.  I was not daddy anymore.  I was some “thing” that they could not possibly understand.  Some “thing” they conjured up in a nightmare, but not daddy.  “WHERE IS THE FUTURE!?!!?!!” My wife’s eyes gleamed with hate and fear.  I was a stranger to them.

I grabbed my keys and ran out of the front door towards my car.  Our neighbor was blissfully jogging up the street with her headphones on.  At first, she did not notice me.  All at once her face grew pale.  She turned and sprinted away from me.  I leaped in my car.  Could I even drive?  Could I get the key in the ignition?  My lizard fingers clumsily pushed the key in and I was off to somewhere.  But where?

Most of the last nine hours has been about staying alive.  I have cat scratch marks all over me that I cannot explain.  I feel the empty exhaustion of a sleepless night.  I don’t remember much of what has happened, but I am here.  Soon, the sun will rise.  I have to stay safe.  There is no room for my kind on the street.  Not among the animals.  Not in the daylight.

And what of my condition?  How did I end up here? Something in the song brought me to this place.  I have become the poetry of doom and horror.  Something in the song turned me into this creature.  Something inside of me, both wretched and righteous, has escaped and become my form.  “WHERE IS THE FUTURE?!?!?!”  I am no longer what you would call human.  I wear alienation as my skin.  As the moments recede backwards into the night my fate stands before me.  I am lost.

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