Posts Tagged Alice Cooper
1456 Words With The Puppetmaster
Posted by Keith Spillett in People Who Were Willing To Speak To Me on March 28, 2012
What makes a man make puppets? The question has plagued me for the better part of my adult life. In my quest to find an answer I spoke with one of the great puppet makers of our age or any other, Darren “Geppetto” Moreash. Darren’s company, Darionettes, produces amazing puppet versions of metal artists. From James Hetfield to Slash, Darren has created remarkable likenesses of some of the most renowned figures in heavy music.
How did you first become interested in puppetry?
About 15 years ago I was going out with a girl who – for some reason – wanted a marionette, so, I went out looking for one. All I was able to find was some piece of crap thing (head was a wooden ball with a painted flat face) – just junk. That’s when I decided I was going to make one (of myself). I went to the library and got a book about puppets – do they still have libraries? Anyway I read up on them and carved one out (of myself). Not great but people she showed it too really liked it. I figured “Okay, if people like this one of me I’m going to get some proper tools and see about making some that I think are cool.” Shortly thereafter we broke up. I think she figured if she had a smaller version of me she didn’t need to deal with the big me. Anyway, I made a few, sold some, life got in the way and I stopped. Fast forward 5 years and I meet this girl at my work – tall, blond, 20 years younger than me – totally out of my league but I decide to make her one for Christmas. She’s a big Alice Cooper fan so that’s who I made and gave to her. She loves it – it’s still hanging in our house (10 years later). Yeah that’s right – she married me and since I’m not much to look at all I can say is “Power of the Puppet”, people, “Power of the Puppet”! She’s co-puppet maker with me, Julie makes the clothes and does most of the painting.
Why did you start making puppets of famous metal artists?
I was on the net and was part of the ‘Anvil Metal Pounders Union’ or AMPU, the Anvil official fan club, and noticed that the band was really connected to their fan base. I figured that I’d make a couple marionettes of Lips and Robbo (Anvils front man and drummer). When I posted the photos, I got positive feedback and then noticed that Lips and Robbo themselves were commenting on the photos. I started thinking that I could keep these or see if they wanted them. I could always make more if I wanted (and did). Anyway, if I asked them if they wanted them and they responded “Hell Yeah!” To me, since I can make more, it’s cooler from my perspective to have pictures of the marionettes with the people I made them for or of. After having all the posters, albums and everything else these people have made that are hanging or on display in my home – its nice knowing there’s something in their homes that I made. After the Anvil thing, I just started contacting other people I have liked over the years and then try to get one to them and people really seemed to dig them.
Which puppet do you believe is your best work?
Okay, first I’ll give you the B.S. sounding ‘Gene Simmons talking about a new direction album’ answer. The one I’m working on now is my best work yet – by that I mean each one is artistically getting better than the last, ironically that happens to be a Gene Simmons one I’m working on now. My real favorite right now is either the one I did for Lemmy or Slash – Lemmy liked the puppet so much his crew said it was one of the top three fan gifts he’d ever gotten – the Slash one is for the reaction it evoked.
There are actually people who suffer from a rare disorder called pupaphobia (the fear of puppets). You recently had a run in with one such person. Can you give me some of the highlights?
Oh yes, pupaphabia, a debilitating problem for some. Last week a photographer friend of mine in TO was meeting Slash so he asked me to make a Slash marionette and he’d get it to him. He held it up and Slash stepped back – my friend asked him if he would hold it for a photo – to everyone’s surprise (including Slash’s road crew), Slash’s response was “Get that F@$king thing away from me – it’s freaking me out. I want no part of it.” Slash was visibly shaken up and although he signed a bunch of stuff for my friend, he would do so only if the puppet was nowhere near him. I knew nothing of pupaphobia until then, but have been reading quite a bit about it. The rumor (that I cannot confirm or deny) is that when at a very young age, he watched the T.V. movie “Trilogy of Terror” and, like most people of my age, was haunted by the Zulu Doll that terrorizes Karen Black. The difference being Slash never outgrew that image and it manifested into a phobia. Very sad and if I’d known I wouldn’t have sent it to him.
Who are some of the other metal celebrities your work has gotten in the hands of?
I’ve gotten them to many metal celebrities in various ways. I contacted Anvil through the social network Facebook, Cherie Currie of The Runaways as well. Metal photographers I’ve met have helped a great deal. Through Rockstarpix and Sister D, I’ve gotten them to Twisted Sister during one of her photo shoots. A friend of mine who plays Lemmy in a Mötorhead tribute band (Snaggletöoth) got one I made of Lemmy to Lemmy himself. I asked him how he was going to meet him and he said “I’m just going backstage” – now I gotta tell you – this guy is an ex-wrestler and when a 250 lb 7 foot ‘Lemmy’ tells you he’s going somewhere, it’s a safe bet that he is.
A friend of a friend was seeing Metallica in Brazil and had a backstage access pass so I sent a James Hetfield and James loved it. A guy who runs the local rock station Q104.3 FM got an Ian Gillan one backstage when Deep Purple was in town and about a week later Ian emailed a photo to me of him and the marionette and a week after that he had posted a YouTube video about video piracy using the puppet in his place. It’s called “Garth on Piracy”.
On the not-so-metal front, I’ve got one to Kevin Smith through the shows promoter and he brought it out onstage during his 200th “Smodcast” Podcast in Halifax, NS.
Here’s an odd one: I’m sitting at home on Christmas Eve with “It’s A Wonderful Life” on T.V. and I get an email from Karolyn Wilkinson (she played Zuzu on IAWL, you know, “every time a bell rings an angel gets its wings!”) she was responding to an email I had sent a while prior and was messaging me on Christmas Eve to tell me that she would love to have a Zuzu marionette for the ‘It’s a Wonderful Life Museum’ in New York.
You always hear the term puppetmaster used in a menacing way. Have you ever considered creating an army of demon puppets and bringing them to life in order to have them destroy the city of Calgary or anything like that? Do you have any demonical, puppet master type plans?
It there’s one thing I’ve learned from masterminds The Joker, The Green Goblin and Milli Vanilli, its ‘don’t tell your plan before it comes to fruition or it’s doomed to fail’. One issue I’m struggling with right now is the whole soul transfer thing. A movie like “Child’s Play” would have you believe it’s easier than it is. Although I do think that one human soul could accommodate at least a dozen marionettes because of their size. I do know Maggie May had Rod Stewart’s soul because I heard him say it but what can a dozen little Rod Stewarts accomplish outside of annoying people. Then there’s the issue of where to find a dozen little stomach pumps, and really, who has time? To quote Bela Lugosi from Ed Wood’s Glen or Glenda “Pull The Strings!! Pull The Strings!!!”
If you want to see more of Darren’s work or contact him, check out Darrionettes.com or email him at darren_moreash@hotmail.com.
Interview With A Mad Artist
Posted by Keith Spillett in People Who Were Willing To Speak To Me on December 5, 2011
Last week, I got a chance to catch up with one of my favorite artists, Michelle E. Fusco (aka Libertina Grimm). She has a unique talent for creating enchanting visions of enigmatic musicians. Her subjects in the past have included Alice Cooper, King Diamond, Jim Morrison and Dani Filth. She manages to capture the magniloquent beauty of these artists in a way that is both memorable and uncanny. Recently, she has turned her attention towards rendering the image of Michael Jackson in a respectful and deeply loving manner.
What was the moment you discovered you had artistic talent like for you?
I was about 11 or 12 & mostly I remember being happy to have made my father proud of something I did, because he was very hard to please.
Why do you choose to create art?
Once I discovered I could do it, it became my strongest mode of self-expression, and a very effective escape from troubles, stress and reality.
What artist or artists do you feel the deepest connection to?
I feel the deepest connection(s) to Mozart, Michelangelo, Rene Magritte, Michael Jackson, and Stephen King.
You have created art based on many well-known musicians over the years. What makes you settle on a certain subject to work on?
I am only truly inspired by performers that are “outside the box” and seem to have something speaking through them. Like they’re mad to create or something… I’ve explored music in search of these true artists, to whom creating their music is truly an extension of themselves and their lives. Once I find someone who seems to be REAL in that fashion, I feel I must portray them in some paintings, as if somehow to express my appreciation for their efforts in being real artists.
What about Michael Jackson, your current subject, do you most connect to?
My first thought on this one was ‘what DON’T I connect to?’ . I had a difficult childhood and this leaves one feeling like it was stolen away. I identify with Michael’s eternal child-like qualities and attempts to create his own dream world around himself, and stubbornly (needed to) live there, despite the ‘real’ world’s repeated attempts to tear it down. He had to live in his own reality because no one really understood him. I definitely connect to that. The feeling of isolation, creativity needing to be shared with the world, but yet no one truly understanding it.
Have you ever felt as if you created something that was perfect?
I have never created something perfect. I sometimes have thought I was working on a perfect drawing or painting, or at least one I would be satisfied with, but invariably, somewhere along the way, I end up feeling like I let myself down yet again, didn’t do as well as I had hoped to, & must set my sights on the next project, because apparently the next one is always the best one.
What is beauty?
To me it is some sort of otherworldly aura or essence that is shocking in it’s perfection, whether it’s Dani Filth as a flawless Gothic vampire, or Michael aspiring to the heavens, the wish to create something with a perfect effect is there and is beautiful. Like Michelangelo’s “David”. Perfection of form and grace, but also with a deeper meaning.
What environment are you most comfortable creating in?
I always work at the same old work-desk with a great stereo so I can hear my subjects. I always must create a music program to accompany each project, to create an appropriate ambience/atmosphere. I’ve been doing that since childhood and I’m pretty sure I couldn’t draw anything without the accompanying soundtrack.
If you could no longer create art, what would you do?
If things were as they are now and I could no longer create art, I would die. But if I could have any career as a replacement, like if I had a genie or something? Then I would be a dancer.
What about raising chickens appeals to you?
Chickens are great! They’re funny and sweet, and generally misunderstood. Probably my favorite thing about them is that if you raised them from babies, they’re your friends for life. I have full grown hens that still insist I’m their mother. They bond for life if treated right, which of course makes them excellent pets! I also like to rescue them from bad situations with people who don’t understand and give them proper shelter. It can be very rewarding. One of my older hens, Ivy, was left without food when her owners moved and couldn’t take chickens to their new place. They just abandoned her. I found her wandering in the road. I took her home and now she’s one of the family. Chickens need more people who understand that they are intelligent, compassionate creatures worthy of respect and love.
For a look at more of Michelle’s art, check out on her Facebook page or her website www.doors-of-perception.com.
The Tyranny of Tradition 